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  • Jeff Somers 4:00 pm on 2017/10/30 Permalink
    Tags: , bentley little, bird box, blindness, , carrion comfort, , , , dathan auerbach, dawn, , exquisite corpose, , ghost story, , hell house, , , , jack ketchum, jose saramago, josh malarian, koji suzuki, lionel shriver, , , , , , penal, pet sematary, peter straub, poppy z. brite, ramsey campbell, , richard matheson, ring, rosemary’s baby, scott smith, , something wicked this way comes, , the face that must die, the girl next door, , the ruins, the walking, , , we need to talk about kevin,   

    25 of the Most TERRIFYING Horror Books Ever 

    Literature can be a moving, beautiful artistic experience. Skilled writers can bring us face to face with scenarios and emotions we might never encounter in real life, expanding our understanding of both the universe and our fellow man.

    It can also scare the living daylights out of us. Horror novels don’t always get the respect they deserve; just because something is scary doesn’t mean it’s not “literary” or well-crafted art, but if the core purpose of a story is perceived to be “making you soil yourself in fear” for some reason that story won’t get much respect. Of course, a story can be terrifying without necessarily being great art. If your goal is to be so terrified of a book that you put it in the freezer and book a hotel room for a few days, here are twenty-five books that might not necessarily be the best horror novels, but are certainly the scariest.

    Literally Everything Edgar Allan Poe Wrote
    Poe had a knack for infusing everything he wrote with visceral dread. His characters and narrators tend towards the mentally fragile and the insane, people who are haunted by things that might be literal or might be manifestations of their unsound thought processes. Either way, stories like The Tell-Tale Heart or The Cask of Amontillado retain their power to petrify more than a century-and-a-half after their publication because Poe tapped into the fundamental fear we all have that the world and people around us are not what they seem.

    House of Leaves, by Mark Z. Danielewski
    Put simply, House of Leaves is one of the most frightening books ever written. From a fairly standard horror premise (a house is revealed to be slightly larger on the inside than is strictly possible) Danielewski spins out a dizzying tale involving multiple unreliable narrators, typographic mysteries, and looping footnotes that manage to drag the reader into the story and then make them doubt their own perception of that story. It’s a trick no one else has managed to such dramatic effect, making this novel more of a participatory experience than any other work of literature—which, considering the dark madness at its core, isn’t necessarily a pleasant experience.

    Rosemary’s Baby, by Ira Levin
    The film adaptation has supplanted the novel in pop culture, but the novel was a huge hit for Levin—and the film actually sticks to the plot and dialog so closely you really do get a feel for the novel from watching it. The story of a young woman who becomes pregnant after a nightmare gets its terror not from the well-known twist of the baby’s parentage (hint: not her husband), but from the increasing isolation Rosemary experiences as her suspicions about everyone around her grow. So many threads tie into the terror, from the emotional and economic uncertainty of a struggling young couple to the simple fear any mother has for their child, all expertly knotted into a story that will keep you awake at night.

    The Haunting of Hill House, by Shirley Jackson
    When you think about clichés in horror fiction, the haunted house is at the top of the list, an idea done so often it’s frequently an unintentional parody. Shirley Jackson, however, was no ordinary writer, and she takes the concept of the haunted house and perfects it. The Haunting of Hill House is simply the best haunted house story ever written. The scares come not just from the malevolent actions of a house that seems sentient and angry, but from the claustrophobia we experience from the novel’s unreliable narrator, Eleanor, whose descent into madness is slow and excruciating and only begins after we’ve been lulled into a false sense of security by the seeming relatability of her early persona.

    Lord of the Flies, by William Golding
    The great sage Pat Benatar once sang that hell is for children. Golding’s account of children stranded on an island without supplies or adult supervision is absolutely terrifying for one simple reason: there’s nothing supernatural going on. It’s a story about insufficiently socialized humans descending into savagery because that’s our fundamental nature. You look into the abyss at the center of this novel and the abyss looks back.

    We Need to Talk About Kevin, by Lionel Shriver
    Another story centered on the terror of children, the horror inherent in this story comes from the fact that the human beings we create eventually become their own people—and possibly strangers to us. Not everyone has a close and loving relationship with their parents, and while the idea that your own kids might grow up to be criminals isn’t pleasant, most people assume they will at least recognize themselves in their kids. But what if you don’t? What if your child—your child—is a blank monster?

    Night Film, by Marisha Pessl
    In the Internet Age it’s pretty easy to fall down a rabbit hole of pop culture obsession, and there are still dark areas of culture that haven’t had a wiki created around them. Pessl’s story about a mysterious underground filmmaker whose movies may or may not contain hints of dark power and horrific events and the journalist who becomes obsessed with him asks the reader how you can be certain there’s a clear line between fact and fiction, then, once that wedge of doubt is established, presents a terrifying fiction to fill that space.

    Ring, by Kōji Suzuki
    The novel that inspired the horror films of the same name, the premise is well-known: anyone who watches a mysterious videotape of creepy images is informed that they will die in seven days—and then they die. The investigation into the tape and how to avoid this grim fate leads to what remains an incredibly shocking backstory involving rape, smallpox, and a forgotten well. Technology has shifted, but the terror never really relied on VHS tapes—it’s the concept that ideas can be deadly, that simply by experiencing something you can be doomed, that’s so horrifying.

    Penpal, by Dathan Auerbach
    Pivoting on the idea that we’re often blinded by the details we can see, making it impossible to see the bigger picture, Auerbach’s debut began life as a series of creepypasta stories on the Internet. The episodic nature of the story is ideal for the effect he achieves; the narrator tells of being a young boy and sending a penpal request attached to a balloon with his classmates, including his best friend Josh. He doesn’t receive a response until nearly a year later, and his life takes a turn for the bizarre shortly afterwards. A series of tragic and strange things happen to him and everyone around him, building a sense of dread that is only increased when the truth is revealed.

    Carrion Comfort, by Dan Simmons
    Simmons’ novel follows several groups of people who have The Ability, a psychic power that allows them to take control of others from a distance and force them to perform any action. When one of their puppets murders someone, the person with The Ability is invigorated and strengthened. Simmons doesn’t shy away from the implications of this power on history and the future, and the book will destroy any sense of security you have in the world around you, revealed to possibly be simply a worldwide board game for those who can control us all like pawns.

    Pet Sematary, by Stephen King
    Several of King’s books could be on this list, but he frequently blunts the terror of his stories with the richness and humanity of his characterizations and the sprawl of his narratives. Pet Sematary manages to be his most terrifying novel by dint of its simple, devastating concept: a magical cemetery where buried things come back to a sort-of life—but aren’t quite what they once were. From that simple idea King ramps up to a climax that gets under your skin in a fundamental way most horror stories fail to.

    The Girl Next Door, by Jack Ketchum
    Horror often pivots on the corruption or warping of societal norms and rules; once you feel like you can’t rely on the natural social order, literally anything is possible. Ketchum’s disturbing novel about the unimaginable abuse suffered by two sisters when they are forced to live with their mentally unstable aunt and her three savage sons is based on real events, but it’s the central theme of an adult giving official sanction to the atrocities that makes this story so utterly horrifying.

    Blindness, by Jose Saramago
    Helplessness is a key factor in a lot of horror; most people labor under the delusion that they are in charge of their destiny and their lives, and horror is often effective simply by reminding us how little control we actually have. An epidemic of blindness leaves an entire city’s population secluded in a mental institution as society within and without crumbles. The brutality and descent into animalistic madness is all too realistic, and Saramago manages to capture the terrifying confusion and helplessness experienced by people in a society that no longer functions.

    Blood Meridian, by Cormac McCarthy
    McCarthy’s entire writing style and technique is terrifying; the man could write a grocery list that leaves the reader dripping with dread. This tale of extreme, ruthless, and pervasive violence in the American west emerges from under a sheen of the unreal to become all too real, and the greatest trick McCarthy manages here is by making the single most terrifying aspect of the story—the main character’s death—the one act of brutality he doesn’t depict, leaving the terrors contained within that scene to our imagination—which is infinitely worse than anything he might have conjured.

    Exquisite Corpse, by Poppy Z. Brite
    Brite’s most famous novel follows two serial killers who initially aim to kill each other but, upon discovering a fellow traveler, instead engage in a spree of horrific sex and murder. The matter-of-fact way the pair concocts a plan to kidnap, torture, and then consume a beautiful gay man named Tran is the sort of stuff that could simply be shocking, but Brite continuously considers the value of existence and what we could all be doing with the time we have left—time we too often imagine to be infinite when, of course, we’re all going to be consumed someday by something.

    Something Wicked This Way Comes, by Ray Bradbury
    Bradbury’s epic rumination on childhood and adulthood tells the story of a magical circus come to a small town, offering the residents dark gifts they weren’t aware they wanted—most notably the carousel that can change your physical age, making boys who yearn to be adults grow older, and middle-aged men and women who yearn for their lost youth to grow younger. Bradbury knows the worst horror in the world is losing the natural order of your life, and perfectly captures the combination of dread and excitement everyone experiences as they crack the mysteries separating them from adulthood.

    Hell House, by Richard Matheson
    What Matheson taps into in this classic haunted house story is the universal fear that we are already lost, already broken. Hired to investigate the existence of an afterlife by exploring the notoriously haunted Belasco House, a team moves in and slowly succumbs to the influence of the entity within—an entity that only uses their own weaknesses and secret shames against them. Their descent into the depths of horror is too close for comfort as a result—for everyone reading the book knows all too well that they have weaknesses, and secret shames, as well.

    The Face That Must Die, by Ramsey Campbell
    Campbell wrote a number of books that are absolutely terrifying, but this one stands out in the way he forces the reader to completely inhabit the mind of a very sick man, Horridge. As he fixates on an overweight man living in his neighborhood, the reader is forced to see the world consistently through his eyes. Everything is off-beat, everything drips with ominous meaning and horrific intent. Horridge sees the entire world as a horror that must be destroyed, and for a while the reader is carried along on that uncomfortable point of view, leaving them exhausted and terrified.

    Haunted, by Chuck Palahniuk
    Told in alternating chapters that depict a group of aspiring writers voluntarily secluded in an unusual writer’s retreat and the stories they’re writing, Haunted not only contains one of the most disturbing short stories ever published (“Guts,” which caused several people to faint when Palahniuk read it in public) it’s also a deep dive into madness as the reality-TV obsessed characters start sabotaging their experiment in a quest for fame. The sense of suffocating dread that Palahniuk applies grows so incrementally you don’t notice it until you suddenly realize you’ve been holding your breath for five pages.

    Dawn, by Octavia Butler
    Although technically science fiction, this story of the human race centuries after a devastating apocalypse is straight terror in many ways. Lilith is one of the last surviving humans, awakened on an alien ship. The aliens, three-sexed and many-tentacled, offer Lilith a deal: they will help her repopulated the Earth, but their price is to breed with humanity to gain humanity’s “talent” for cancer (and the creative possibilities it offers) while blunting their self-destructive tendencies. The horror imbued in each page is subtle, but it exerts tremendous mental pressure as you progress through the story.

    The Walking, by Bentley Little
    Far from just another tale of zombies, Little’s story of a man whose father rises from death after a stroke sizzles with a sense of doom long before the reader understands what’s at stake. Discovering that many families are hiding zombie relatives, and have been for some time, private investigator Miles Huerdeen digs into the mystery—and what he finds is easily the scariest stuff about zombies you’ll ever read. If you watch zombie movies and shows and laugh at their shuffling, mindless threat, this book will change your mind.

    The Ruins, by Scott Smith
    Smith’s story is deceptively simple: a group of tourists in Mexico go off in search of an archaeological site where a friend has set up camp; they find a pyramid covered in odd vines, the land around it salted and barren. Once on the pyramid, they discover the dead body of their friend, covered in the vines, and that the nearby villagers have arrived with guns to force them to remain on the pyramid. The vines are one of those simple monsters that seem so easy to defeat at first blush, yet the inexorable doom that descends on the characters slowly, grindingly proves otherwise.

    Bird Box, by Josh Malerman
    Malerman’s intense story of a world that slowly crumbles as people go murderously insane after seeing mysterious creatures—referred to simply as The Problem—is so scary because the reader only has the information that the characters have, and that’s not much. The world collapses and the survivors can only seal themselves off from the outside and try to avoid the worst, leading to a torturous wearing down of hope that leaves the reader defenseless against the horrible images Malerman conjures.

    Ghost Story, by Peter Straub
    A good old-fashioned ghost story is designed to terrify and entertain, and Straub’s breakthrough novel does both. Five old friends gather regularly to trade ghost stories, but when one of them dies mysteriously and the survivors begin to dream of their own deaths, a secret from their past is revealed—and the simple pleasures of a ghost story are explored to their most frightening ends by a master of the form.

    Beloved, by Toni Morrison
    If you don’t think of Beloved as a horror story, you haven’t been paying attention. Morrison’s skill as a writer is in full effect as she draws the reader into what is assuredly one of the saddest and most horrifying stories committed to paper. There’s no more terrifying sequence than the long slide into madness as escaped slave Sethe, convinced the young woman calling herself Beloved is the daughter she murdered in an attempt to keep her safe from slavers come to reclaim them, grows steadily thinner and weaker as she gives everything she has—including food—to Beloved, who grows steadily larger.

    Did we leave off any truly terrifying books? Let us know in the comments.

    The post 25 of the Most TERRIFYING Horror Books Ever appeared first on Barnes & Noble Reads.

     
  • Monique Alice 4:20 pm on 2015/08/28 Permalink
    Tags: , , , misery, pet sematary, salem's lot, , , the green mile, the horror, ,   

    Top 10 Must-Read Stephen King Books 

    With over 60 titles to his credit, Stephen King is one of the world’s most prolific authors—and he has been terrifying and captivating us with his prose for nearly half a century. The scariest part? He seems to get better at it as the years go by. What many King newcomers are surprised to find, however, is that he’s no one-trick pony—King’s writing can and does detour from his familiar grisly stomping grounds. It can be said that his true subject matter is the darker side of human nature. However, he provides a strong counterweight to the darkness by showing us the humor, levity, and innocence in even the most dastardly of his characters. In addition, King’s career has been, in many ways, a love letter to his home state of Maine—you can’t get through a King novel without wanting to visit. In this way, King’s books transcend genre and appeal to all lovers of the written word. So forget what you’ve seen in the movies—whether you’re new to Stephen King’s oeuvre, or you’re working on indoctrinating a friend, reading the following 10 books is nonnegotiable.  

    10. Carrie
    King’s first published work is the story of a shy, good-natured teenager who wants what all high school kids want: to have friends and to be “normal.” Not that Carrie has any idea what normal really is, since she has spent the whole of her young life being harangued by her abusive religious zealot of a mother, and tormented by the cruel kids at school. The thing is, Carrie isn’t, strictly speaking, “normal.” She has a supernatural gift those who mistreat her could only dream about. She will have to choose whether to call on this power when the going gets tough.  

    9. The Shining
    Did we say forget what you’ve seen in the movies? Because nowhere in King’s work is that sentiment more necessary than with respect to The Shining. Yes, we all love Jack Nicholson, and yes, the movie was great. It was just a very, very different story from the book. Jack Torrance jumps at the opportunity to become the caretaker for the majestic yet unsettling Overlook Hotel, with wife Wendy and son Danny along for the ride. Things get darker and more horrifying from there, with the hotel coming to vivid life around the family, and turning what was supposed to be a respite from the outside world into a terrorizing intrapsychic nightmare. In addition to much stronger, more well-rounded characters, get ready for lots of hotel fixtures you won’t recall from the movie, including the world’s scariest shrubbery and a boiler room that will make you fear your basement for life. As a bonus, check out recently released sequel Doctor Sleep.

    8. Pet Sematary
    One word sums up this King favorite: underrated. The novel is classic King—it starts with a happy family in a small town. All is well, until a heavy dose of tragedy and a generous sprinkling of the paranormal rip this story right off the rails. This book is best known for its scary subject matter (King was way ahead of the curve on the whole “creepy kids” trend Hollywood became very fond of a few years later). However, it’s the depth of the familial bond and all the love and grief that comes along with it that truly make this story one to remember.

    7. The Dead Zone
    If you’re looking for that quintessential King novel that will ensure you spend many evening hours glued to its pages when you should be sleeping, this is it. Johnny Smith is a teacher who has fallen into a coma after a tragic accident. Upon waking, he is shocked to learn that he has psychic abilities. As time passes, Johnny struggles to navigate the world with his new gifts, and is faced with a stomach-turning choice about whether to do the wrong thing for the right reasons. This is one of King’s most masterfully paced books, and it will keep you riveted until the final curtain falls.

    {{EAN5}}6. It
    Don’t understand why some people are terrified of clowns? After you read It, you will. It’s 1958 in Derry, Maine, and seven teenagers are bonded forever when they come together to combat a mysterious and heart-stoppingly evil force. Despite their best efforts to put the past behind them, they’re once again summoned to protect their town when, 30 years later, the evil stirs again. This book is one of King’s most frightening, without a doubt—and it’s the love King instills in us for the characters and the community that truly makes us fear for and root for them with all our hearts.

    5. Misery
    For all those who think King’s stories have to rely on the supernatural to raise the hairs on readers’ necks, Misery is one notable exception. There are no aliens, evil spirits, or Native American burial grounds in sight. The story begins when a celebrated but jaded author  loses control of his car on his way through a treacherous mountain pass. Alone and unconscious, our hero seems all but lost when, miraculously, a local good Samaritan happens by and comes to his rescue. Imagine his relief when he awakens and discovers his savior is not only a trained nurse, but his number one fan. What follows is a chilling treatise on obsession, celebrity culture, and the fathomless depths of the human will to survive.

    4. Salem’s Lot
    After he debuted with Carrie, many wondered if King would be able to match that novel’s success a second time. Salem’s Lot proved King was more than a literary flash in the pan. Set once again in his beloved Maine, the tale blends King’s customary love for small-town life with a classic horror theme: vampires. When a schoolteacher and his girlfriend fight back against a town full of bloodsuckers, it’s anyone’s guess who will come out on top. Be warned: sleeping with the lights on and a garlic necklace may or may not make you feel any safer after reading this book.

    3. The Green Mile
    The Green Mile is one of the greatest triumphs of King’s career. Originally released in six installments, the story took the publishing world by storm when all six concurrently ended up on the New York Times bestseller list—and with good reason. John Coffey is a black man in the wrong place at the wrong time. The place is the general vicinity of a murder of two little white girls, and the place is rural 1930s Louisiana. Given those circumstances, it doesn’t take long for John to be sentenced to death via “Old Sparky,” the electric chair waiting at the end of the long green-tiled prison hallway, or the Green Mile. As he waits to be executed, John touches many lives—but can he do enough good to earn his own redemption? With this novel, King turns his unflinching gaze on the racism that permeates America’s history, and brings it hurtling into the reader’s present with supernatural force.

    2. 11/22/63
    Speaking of American history, few events have had more impact on American culture than the assassination of John Fitzgerald Kennedy. In this novel, King envisions a world where an average guy could go back in time and stop that horrific tragedy. One part historical fiction, one part mystery, and one part action novel, 11/22/63 could only have been written by a gifted author who witnessed and mourned the death of JFK alongside the rest of the nation. In true King fashion, healthy doses of wit, romance, and laughter keep the story vital and fresh until the very end.

    1. The Stand
    The Stand is widely hailed as King’s crowning achievement. When a subject breaks out of a secure biological testing facility, he exposes humankind to a deadly strain of flu that will wipe out 99 percent of the population in a matter of mere weeks. With the impending apocalypse looming large, those who strive for survival are desperate for a leader. Two would-be leaders emerge, but it will be up to the people to decide which of them to follow. What unfolds is an epic battle: a last stand between good and evil that readers will never forget.

     
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