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  • Tara Sonin 6:00 pm on 2017/12/07 Permalink
    Tags: a notorious countess confesses, a rogue by any other name, , , , , , , , , Joanna Wylde, , julie anne long, , laura lee guhrke, , , , , one good earl deserves a lover, original sinners series, , reaper's legacy, , , slightly wicked, , , , trouble at the wedding, unclaimed, when he was wicked   

    A Romance Novel for Every Song on Taylor Swift’s reputation 

    It’s been over a week, we’ve listened to it over a thousand times…and now the moment has come: we’re pairing up romance novels with Taylor Swift’s newest album, reputation!

    “…Ready For It?”

    I immediately thought of Claire and Jamie for this song, so Diana Gabaldon’s Outlander is my pick! It’s fast-paced, like their adventures, but also sensual and sexy, like their relationship. “Younger than my exes but he acts like such a man” make sense since Jamie is younger than Frank (and Claire herself) in the series. And of course all the references to islands reminded me of the current Season Three (no spoilers, if you haven’t seen it!)

    “End Game (featuring Ed Sheeran and Future)”

    “Ahh, and I heard about you…you like the bad ones too.” This song is all about a couple whose reputation precedes them, making them probably the least likely to work. “And I bury hatchets but I keep maps of where I put ‘em” made me think of Devon Ravenel of Cold-Hearted Rake by Lisa Kleypas: he’s a rake who lives up to his name. But then he inherits an earldom and must step up to the plate and assume responsibiity for his status—and the honor of the late earl’s three sisters. “You’ve been calling my bluff on all my usual tricks” is what happens when he meets Kathleen, who knows better than to ever fall in love with a man like Devon…except, as the song implies, they both wind up wanting to be one another’s end game.

    “I Did Something Bad”

    Unclaimed by Courtney Milan is about a handsome Bachelor known for having unimpeachable character…who finds himself entangled with a secret courtesan, not the high-bred lady he assumed her to be. “I never trust a playboy, but they love me…” totally embodies Jessica’s character: she’s a woman who knows what she wants, and is willing to do “something bad” in order to get it…like team up with the bachelor’s enemies to take him down in exchange for money. But of course, doing bad things makes you feel oh so good, and Jessica and Mark are no exception to the rule.

    “Don’t Blame Me”

    The moody, rumbling, erotic nature of this song brought one threesome to mind: Nora, Soren, and Kingsley from Tiffany Reisz’ Original Sinners series. “For you, I would cross the line/I would waste my time/I would lose my mind/They say, “She’s gone too far this time…” are definitely words worthy of Nora, preeminent Dominatrix and submissive only to Soren, a Priest she credits with saving her life. And of course, there’s Kingsley, the owner of the BDSM club, Dominant in every way…except when it comes to Soren. “If you walk away/I’d beg you on my knees to stay…” The pulse-pounding romance between these three people over the course of the series is the perfect accompaniment to Taylor’s pining words.

    “Delicate”

    Two people with broken pasts—and reputations that have never been worse, as this song croons—meet and marry for convenience in A Rogue by Any Other Name by Sarah MacLean. It’s just business between them: Bourne runs a casino after being stripped of all societal influence a decade ago, and Penelope is just trying to secure her future after a string of failed relationships. But eventually their boundaries start to slip. “Is it cool that I said all that?/’Cause I know that it’s delicate…” That’s contemporary speak for the passion that ignites between this regency couple when they least expect it.

    “Look What You Made Me Do”

    A revenge song needs a worthy book—and I can’t lie, this one made me think about one particular villainess in the 50 Shades Series…Christian Grey’s ex-girlfriend, Leila. “I don’t like your kingdom keys/they once belonged to me…” those words might as well have come out of her mouth in Fifty Shades Darker. We all know that Taylor likes to parody the “man-eater” persona the media has developed for her, but in this case, Leila’s instability was totally real. “I’ll be the actress starring in your bad dreams”, indeed.

    “So It Goes…”

    This is one of the quieter songs on the album, but with lyrics like “You know I’m not a bad girl/but I do bad things with you” and “I’m so chill, you make me jealous” the book to match needed to have the right balance of sweetness with an undercurrent of passion. Sarah MacLean’s One Good Earl Deserves a Lover totally fits! Pippa is a good girl from a good family who wants nothing more than a quiet life…and the freedom to pursue science. But before she settles down in that life, she wants one little taste of true passion. So she goes to Cross, a notorious gaming hall owner, and proposes an arrangement between them—all in the name of science. But of course, Pippa can’t stay “chill” when it comes to Cross for long.

    “Gorgeous”

    This upbeat song is definitely worthy of a happily ever after! Julia Quinn’s When He Was Wicked follows the track of the song: a man and woman meet, and sparks fly…the problem—well, in the song it’s that she’s got “a boyfriend, he’s older than us…” but in this book, it’s a betrothal! And to make things worse, the guy she’s marrying is the cousin of the one she falls for. “You’ve ruined my life, by not being mine…” That’s exactly how Michael Stirling feels when she marries the guy anyway. But trust me, there’s a happily ever after waiting for this gorgeous couple.

    “Getaway Car”

    One of my favorite songs on the album spins a story about doomed lovers caught in the aftermath of their betrayal. “Nothing good starts in a getaway car”, the song begins…and the statement rings true in Reaper’s Legacy by Joanna Wylde, except for one thing: you can swap out “car” for “motorcycle”. A love triangle winds its way through the story of Sophie, Zach, and Ruger: Sophie and Zach slept together, resulting in their baby, Noah…but Zach’s a deadbeat dad, leaving his brother Ruger to pick up the pieces. But living—and loving—a man in a motorcycle club can be dangerous, and even when he tries to provide security for Sophie and her son, the past always finds a way of catching up with a speeding bike. After all, remember what Taylor says: “Us traitors never win…”

    “King of My Heart”

    This song makes specific reference to the “American” identity of the heroine (and of course, there’s been rampant speculation on the British identity behind most of Taylor’s new songs) so for this one I chose Trouble at the Wedding by Laura Lee Guhrke, a story about an American falling for a Brit! Annabel does not want true love (just like the heroine of the song, who knows she is “better off being alone,”) but still, she agrees to marry a high-born man with a British title as a way to protect her new, “Southern” estate. The problem? Christian, the Duke of Scarborough, does NOT approve of Annabel’s choice. “Change my priorities/the taste of your lips is my idea of luxury…” And that’s exactly what Christian decides to do: make Annabel fall for him, instead, and become King of Her Heart.

    “Dancing With Our Hands Tied”

    Mary Balogh’s Slightly Wicked is about the ramifications of one reckless, erotic night that you think no one else will ever find out about. When Judith meets Rannulf after an accident with her stagecoach, she indulges in a passion she knows she will soon have to bury. (“First sight, yeah, we love without reason…”) But when he shows up at her aunt’s house, intending to court her cousin, Judith knows her secret will not be kept in the dark for long, especially when she can’t stop her feelings from pouring out. As this song says, “I knew there was no one in the world who could stop us/I had a bad feeling”, and soon enough, Judith and Rannulf are dancing with their hands tied, too.

    “Dress”

    One of the sexiest songs on the album deserves a romance to match. A Notorious Countess Confesses by Julie Anne Long made me think of some of the song’s steamiest lyrics, starting with “All of this silence and patience, pining and anticipation/My hands are shaking from holding back from you (ah, ah, ah).” Evie is an ambitious actress, and has charmed all of London…until her scandalous marriage goes down in flames. (Sound at all like a familiar narrative?) She escapes the tidal wave of gossip only to find herself tempted once more…by Vicar Adam Sylvaine, a man sworn to piety and prayer. “Even in my worst lies, you saw the truth in me…” Soon enough, they can’t stop their passion from overflowing, and the costumes come off to reveal their true hearts to one another.

    “This Is Why We Can’t Have Nice Things”

    You can finish the title of this romance novel with the title of Taylor’s diss track: If You Deceive…this is why we can’t have nice things! Two people caught at the center of a family feud (aka, a “narrative” they’d like to be excluded from, perhaps?) in the third novel in Kresley Cole’s MacCarrick Brothers series find themselves irrevocably drawn to one another despite the pain and anguish that their families have wrought. “But then you stabbed me in the back while shaking my hand…” What starts as a quest for revenge soon becomes a mission to keep the one thing they both hold dear in this Highland romance.

    “Call It What You Want”

    The Royal We by Jessica Morgan and Heather Cocks is a sweet romance with just a tad of high-stakes drama: Bex Porter has a real-life fairytale in the form of Nick, the heir to the throne of England. But just like Taylor Swift, loving a famous person comes with consequences. “All the drama queens takin’ swings/All the jokers dressing up as kings…” is right: between the paparazzi, backstabbers, and family baggage, it’s going to take everything she has to keep their relationship together.

    “New Year’s Day”

    This poignant, piano-based closer is heartfelt and raw with emotion, all about what happens when the glitz and glamour fades and the reality of life sets in….and who will be by your side when it does. “I want your midnights/but I’ll be picking up bottles with you on New Year’s Day…” It’s not a New Year’s story, but that sentiment really reminded me of The Notebook: a love story all about choosing the harder road, but the one that’s ultimately true to who you are.

    What do you think of our pairings?

    The post A Romance Novel for Every Song on Taylor Swift’s reputation appeared first on Barnes & Noble Reads.

     
  • Amanda Diehl 5:00 pm on 2017/11/15 Permalink
    Tags: , , it's not you it's me, , laura lee guhrke, love is blind lynsay sands, , the bride   

    My Amicable Breakup with Historical Romances 

    To me historical romance is the bread and butter of the romance community, and many readers (including myself) have started with the subgenre. However, historical romance and I have had a falling out (that’s shown no signs of repair), and that’s okay!

    My first historical was The Bride, by Julie Garwood. I was swept away by how romantic it was. The castle, the violet-eyed heroine, and the swoony Alec Kincaid. From there, I devoured the Wallflower Quartet, by Lisa Kleypas. (My favorite is It Happened One Autumn, which isn’t the most popular opinion.) And of course, the best underrated historical romance I’ve ever read is tied between Love is Blind, by Lynsay Sands and Guilty Pleasures, by Laura Lee Guhrke.

    The long-ago time periods enraptured me as the characters strained against propriety and societal norms. Being naughty was frowned upon, which only made me turn the pages faster and faster, until one day I found myself struggling to finish a historical romance. Thinking it was me, I picked up another and had the same problem. It was like being stuck in the movie Groundhog Day where I seemed forever trapped in my historical romance book slump.

    This was definitely a situation of “it’s not you, it’s me.” I’m still unsure what prompted my sudden disinterest in a genre I used to love so deeply. My guess is that I overwhelmed myself too much, too soon. It was like a relationship that happened at breakneck speed. You meet and fall head over heels. You love everything about that person and suddenly, you’re spending every waking moment together and talking about moving in together.

    And then suddenly, you start to notice things that aren’t gelling. You’re always late and they’re always early. Are they chewing too loudly or am I just being overly sensitive? Their cologne or perfume no longer is the best smell you’ve ever smelled in the history of smells. With historical romances, I seemed to always find fault. There wasn’t enough sexytimes. The heroine was too innocent. The hero was too much of a jerk. But I realize now that none of my complaints were specific to the subgenre. I could have these complaints about contemporary romances or erotica. I was just being too difficult to please. Things didn’t necessarily go bad between me and historical romance, they just sort of petered off, and I had to sit down with myself and my reading tastes and admit that historically aren’t just working for me anymore.

    It’s hard when you see all your friends and fellow readers having such a good time with historicals. Why not me? I want to be a part of that too! It’s like seeing your ex at a bar and he or she is having a great time. They’re smiling and laughing and you suddenly remember, for a brief moment, what attracted you to them in the first place. Then you remember the boring nights where you struggled to make conversation with each other or, like me, read the same paragraph over and over in the hopes of making some progress in a book. It probably won’t work out again and you’d rather not repeat the slog through another book (or another attempt at a relationship).

    So the two of you lock eyes across the bar, give a gentle wave, and carry on about your business, which is my current standing with historical romances. I’m content see other people enjoying them and at times, I wish I could have a beautiful reunion with Tessa Dare and Elizabeth Hoyt. But why force it? Take a break, re-evaluate, and much like romantic pursuits, there are plenty of other fish in the sea. I can find a romance that suits my current needs.

    Maybe historical romances and I will have tear-stained, beautiful reunion one day, or perhaps that ship as sailed. But much like a hot and heavy, passionate relationship, I’m grateful for the time we had together, even if we didn’t have our happy ending.

    How enduring is your love for historical romance?

    The post My Amicable Breakup with Historical Romances appeared first on Barnes & Noble Reads.

     
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