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  • Jeff Somers 2:00 pm on 2017/09/20 Permalink
    Tags: , harry potter, read it or i will weep,   

    How to Sell Your Favorite Book to Someone Who Doesn’t Read 

    As Gary Coleman once taught us, it takes different strokes to move this world, and that means that people who love to read must work hand-in-hand with people who regard reading as the worst way to spend any amount of free time. In fact, you might even be close friends with (or related to) someone who never, ever reads a book, which means your relationship is limited by the fact that you can’t talk about books endlessly. In some cases, you can get close if there’s a film or TV adaptation they’ve watched, but it’s not exactly the same thing. The ideal would be to convince them to read your favorite books so you can pull them into your insidious Reading Circle.

    But how can you do that if they regard reading as a chore (as if)? It’s not going to easy, but it can be done. Here’s five steps you can take to convince your non-book nerd friend to read your favorite book.

    Shape Your Pitch
    First of all, know your audience. Why are they so resistant? Do they think Harry Potter is for kids, or do they think any story that incorporates magic is silly? Are they contrarians who just refuse to consider anything that’s popular? Start with their reasons for resisting, and shape your pitch for the book to be the equal and opposite force. If they think stories about boy wizards aren’t worth their time, focus on the depth of the characters and the emotional resonance of their travails. If they refuse to read anything popular, point out how many classics were once wildly popular bestsellers.

    Remove the Pressure
    The hard sell won’t work here. You have to keep in mind that the easiest thing in the world is to not do something, and if you push too hard for your book the non-reader will probably just dig in their heels. And if you do manage to pressure or guilt them into reading the book they’ll do so with a surly, negative attitude, and there’s a real risk they’ll decide they don’t like it just because they resent being pushed into reading it. The key is going to be taking a step back and arguing positively for the book experience instead of trying to force the issue.

    Make a Deal
    You’re asking someone to take it on faith that their time will be well spent on this book, and time is the one thing they’re not making more of. Instead of just imperiously insisting that the book will change their lives and they must read it, start a negotiation and offer to experience something they insist is great but you can’t get excited about. Whether it’s a movie they’ve always insisted you should see, or a lifestyle choice you just don’t understand (ugh, jogging, amiright?), or a night at the opera or something, put it on the table: you’ll do theirs if they do yours. That puts skin in the game and makes it a partnership instead of putting your taste above theirs.

    Find Famous Allies
    If you get the sense they’re simply not taking your arguments seriously, it might be time to find some celebrity endorsements to aid your cause. Think about their favorite musicians, actors, or other famous types and see if you can find some that have publicly endorsed the books in question. This doesn’t have to be internationally famous people, either—maybe there are folks in your social circles that your friend respects and looks up to who could be recruited for the cause. In short, swallow your pride and seek reinforcements.

    Get in There
    Okay, you love this book, so you’ve read it sixty-four times and can quote it at length and frequently have entire conversations that are just quotes from it. If your friend still refuses to read it, it might be because you’ve made it feel like a school assignment. Get in there and make it into a more Book Club feel by offering to re-read the book with them, instantly turning a solitary experience (which might be one reason they don’t like to read in the first place) into a shared experience. If you know other superfans who are just as besotted with the books, recruit them to re-read it too, and meet up on a regular basis (like, over cocktails or a fun dinner) to discuss it, making it into a must-attend social event. That’ll make it something they desperately want to be a part of instead of a chore they want to avoid.

    Finally, accept the outcome. If you try everything in your power to convince them to read that book and they still refuse, back off—it’s not worth ruining a friendship over. And, most importantly, if they do give in and read the book and don’t like it, accept that verdict. They did their part and gave it a chance, and it’s totally legit for them to simply not like it the way you do. Sure, they’re clearly wrong, but that’s their right.

    What book do you constantly try to convince people to read?

    Shop all fiction >

    The post How to Sell Your Favorite Book to Someone Who Doesn’t Read appeared first on Barnes & Noble Reads.

     
  • Lauren Passell 1:30 pm on 2017/07/20 Permalink
    Tags: , , , , , , , harry potter, , , , , , , , , , , ,   

    DO NOT READ THIS POST: The 10 Biggest Book Spoilers, Ever 

    Warning: if you like to be surprised, stop reading right now. Get a glass of water or look at Buzzfeed or start working on your memoir.

    But if you’re curious about these books and their kick-to-the-stomach endings, then by all means, read on. (Because I’m not completely cruel, I’ve whited out the spoilers—just highlight the empty space to see the hidden words.)

    Don’t say we didn’t warn you…

    The Sinner, by Petra Hammesfahr
    One of the best examples of a “whydunnit” in recent years, German author Hammesfahr’s twisty novel (soon to air as a miniseries on USA starring Jessica Biel) is largely told in flashback after Cora Bender, a seemingly normal mother and housewife, inexplicably stabs a man to death while on a beach picnic with her family. Cora confesses readily and claims to have no idea why she just committed homicide—but a patient policeman thinks there’s more to the story, and slowly susses out the truth—Cora’s younger sister was born extremely ill, and her mother became obsessed with caring for her, forcing her father to share a room with Cora, resulting in a creepily close relationship between the two that comes as close to abuse as possible without crossing that final line. Her sister Magdalena isn’t as innocent as she seems—despite her frailty, she manipulates Cora and also has an intensely, inappropriately intimate relationship with her. When Cora is 19, she takes Magdalena with her to meet a boy and his friends, not realizing that Magdalena is near death and wishes to die. Two of the boys rape Cora while the third has sex with Magdalena—who dies during the act, a specific piece of music playing on the radio. When Cora freaks out, one of the boys hits her in the head with an ashtray, and to cover up the crime, they hold Cora captive for six months. Years later, when the music plays again at the beach, Cora snaps, and strikes out with a knife.

    Ender’s Game, by Orson Scott Card
    In Ender’s Game, the survival of the human race depends on Ender Wiggin, the child genius recruited for military training by the government… But while you (and Ender) believe he is fighting in mind simulation, in truth, he’s been  manipulated into fighting a real war, and actually killing the enemies, called buggers. He moves to a new colony planet with his sister, where he discovers that the buggers have created a space just for him. They didn’t know humans had intelligence, and they want to communicate with him. They show him what the war looked like from their point of view, and Ender and the buggers meet a point of understanding. He vows to live with them in peace, starts a new kind of religion, and writes a Bible-like book about the buggers, signing it Speaker For The Dead, which is a perfect segue into the Ender’s Game sequel.

    Atonement, by Ian McEwan
    Atonement is about misinterpretation and its repercussions. Briony observes her big sister Cecilia and Cecilia’s friend Robbie flirting and assumes something shameful has happened between them. She accuses Robbie of rape, and Robbie goes to jail. The story then follows Cecilia and Robbie as they go to war, fall in love, and wind up together forever. But at the end of the novel, you discover that Briony is actually the book’s narrator—and she’s been lying to you, too. She did accuse Robbie of rape, and he was jailed, but C & R didn’t live happily ever after together, after all. They both died in the war. Briony just wrote a happy ending for them to atone for her sins. That’s what she says, anyway. I’m not sure I believe anything she says anymore.

    And Then There Were None, by Agatha Christie
    Most Agatha Christie novels leave you gobsmacked (The Murder of Roger Ackroyd, anyone?) But And Then There Were None is an absolute masterpiece of the whodunnit? formula. People invited to a party in a mansion keep on being murdered, but by whom? Well, if you’re sure you want to know…it was Judge Wargrave! Swaddled in a red curtain, he fakes his own death so that you, the reader, assume the murderer is someone else. But in a written confession at the end of the novel, you learn that he invited people to a desolate island in order to kill them one by one as punishment for the terrible things they’d done (and thought they got away with). Agatha, you sneak!

    Gone Girl, by Gillian Flynn
    In Gone Girl, husband and wife Nick and Amy tell the story of their tumultuous marriage. We read what we think is Amy’s diary, and it condemns Nick as a violent jerk. We start to believe that Nick is responsible for Amy’s disappearance and possible death. But in a series of twists, the truth is revealed—Amy and Nick are both liars. Nick was having an affair, and Amy has been alive all along, on the lam, trying to frame Nick for her death. What we thought was her diary is actually a cunning trap: it’s a piece of fiction Amy wrote for the police to find. Amy kills a friend and returns to Nick, pregnant with his child, claiming she was kidnapped. Nick takes her back even though he knows the truth. In the end, Amy says she’s getting ready to become a mom by writing her abduction story. She should hang out with Briony.

    Rebecca, by Daphne du Maurier
    Rebecca begins with one of the most mesmerizing first lines in literature—“Last night I dreamt I went to Manderley again.” Things only get more interesting from there. The unnamed protagonist marries Maxim de Winter and moves into his home, called Manderley. She struggles to live up to the legend of Maxim’s late wife, Rebecca, who was seemingly perfect. Mrs. Danvers, the maid, almost gets the protagonist to kill herself in despair. But one day, divers find a sunken sailboat that belonged to Rebecca, revealing that Rebecca was murdered. Maxim then tells the truth: Rebecca was a wretched woman who had multiple affairs—one, with her cousin, resulted in her pregnancy. When Maxim found out, he killed her. In yet another twist, we find out that Rebecca was lying to Maxim—she wasn’t pregnant, but was actually dying of a terminal illness. In the end Old Danvers burns the joint down and disappears. As for Maxim and the protagonist? Happily ever after.

    The Dinner, by Herman Koch
    In Howard Koch’s The Dinner, two brothers and their wives sit down for a meal to discuss the horrific crime committed by their sons. The cousins have been caught on camera attacking a sleeping homeless woman in an ATM, throwing trash and a container of gasoline at her, and then burning her to death. Koch makes it clear that the family is bonded by a common sociopathology. The family argues over what to do. Serge, a politician, wants to come clean about the boys’ crime. Enraged by Serge’s stance, his sister-in-law Claire attacks him, disfiguring his face. Claire urges her nephews to “take care” of Beau, Serge and Babette’s adopted son, who witnessed the crime and is blackmailing the boys by threatening to reveal what they did. At the end of the novel, Beau is missing, and one of the cousins comes home covered in blood and mud. Wonder what happened to him?

    Harry Potter And The Deathly Hollows, by J.K. Rowling
    In J.K. Rowling’s seventh and final installment in the Harry Potter series, it’s revealed that Harry is a Horcrux, and must be killed before Voldemort can be. Viewing Snape’s memories in the Pensieve, Harry sees Snape talking to Dumbledore and finds out that Snape’s been his protector all this time. Snape loved Harry’s mother, Lily Potter, and spent his entire life spying on Voldemort for Dumbledore. Meanwhile, Dumbledore had been steering Harry to sacrifice himself for the larger good. Good and evil are blurred once again when Harry survives and learns that Dumbledore loved him, even if he expected him to sacrifice himself. Ms. Rowling, you’ve tricked us again.

    Rant, by Chuck Palahniuk
    This novel is an oral biography of protagonist Buster Landru “Rant” Casey, who has died. The reader gathers that Rant lived in a dystopian future where lower class citizens, called “nighttimers,” engaged in an activity called “Party Crashing,” a demolition derby where the crashers slam into each other in cars. The catch: if you crash in the right mental state, you’ll travel backwards in time. Rant disappears during Party Crashing, so his friends assume he’s time traveling. It takes some piecing together to figure out that Rant has been traveling back through time, raping his ancestors every thirteen years in an effort to become a superhuman. He isn’t one character; he is many. You can’t make this stuff up, but I guess Palahniuk did.

    Anna Karenina, by Leo Tolstoy
    Anna Karenina is about a lot of stuff, but the heart of the story lies with Anna and her downward spiral from captivating spitfire to insecure shell of a woman. The book is beautifully written. Much of its pleasure comes from the character studies and quiet plotting. Then, in one of the most shocking moments in literature, Anna throws herself under a train and dies and you are stupefied. One of my friends always says, of Anna Karenina, “if you only read one ‘old’ book in your whole life, have it be this one.” Agreed.

    Something Happened, by Joseph Heller
    You’ll spend more than 400 pages reading about not much happening, rolling around in the protagonist’s brain as he goes to work, cares for his son, and fantasizes about the secretary. I can’t tell you what happens, though. That would ruin the book completely. 

    Kidding, obviously. The whole point, here, is to ruin your enjoyment of surprising books!

    Slocum’s son is a weakling because Slocum never made him go to gym class. This son gets hit by a car. In sadness and despair, Slocum hugs him to death. I mean that very literally, not the new kind of “literally.” Slocum hugs his son until he dies from squeezing. 

    Even with the surprises spoiled, reading these books is still a worthwhile endeavor. You’re going to read all of them, right? What’s the best book twist you’ve ever read?

    The post DO NOT READ THIS POST: The 10 Biggest Book Spoilers, Ever appeared first on Barnes & Noble Reads.

     
  • Lauren Passell 1:30 pm on 2017/07/20 Permalink
    Tags: , , , , , , , harry potter, , , , , , , , , , , ,   

    DO NOT READ THIS POST: The 10 Biggest Book Spoilers, Ever 

    Warning: if you like to be surprised, stop reading right now. Get a glass of water or look at Buzzfeed or start working on your memoir.

    But if you’re curious about these books and their kick-to-the-stomach endings, then by all means, read on. (Because I’m not completely cruel, I’ve whited out the spoilers—just highlight the empty space to see the hidden words.)

    Don’t say we didn’t warn you…

    The Sinner, by Petra Hammesfahr
    One of the best examples of a “whydunnit” in recent years, German author Hammesfahr’s twisty novel (soon to air as a miniseries on USA starring Jessica Biel) is largely told in flashback after Cora Bender, a seemingly normal mother and housewife, inexplicably stabs a man to death while on a beach picnic with her family. Cora confesses readily and claims to have no idea why she just committed homicide—but a patient policeman thinks there’s more to the story, and slowly susses out the truth—Cora’s younger sister was born extremely ill, and her mother became obsessed with caring for her, forcing her father to share a room with Cora, resulting in a creepily close relationship between the two that comes as close to abuse as possible without crossing that final line. Her sister Magdalena isn’t as innocent as she seems—despite her frailty, she manipulates Cora and also has an intensely, inappropriately intimate relationship with her. When Cora is 19, she takes Magdalena with her to meet a boy and his friends, not realizing that Magdalena is near death and wishes to die. Two of the boys rape Cora while the third has sex with Magdalena—who dies during the act, a specific piece of music playing on the radio. When Cora freaks out, one of the boys hits her in the head with an ashtray, and to cover up the crime, they hold Cora captive for six months. Years later, when the music plays again at the beach, Cora snaps, and strikes out with a knife.

    Ender’s Game, by Orson Scott Card
    In Ender’s Game, the survival of the human race depends on Ender Wiggin, the child genius recruited for military training by the government… But while you (and Ender) believe he is fighting in mind simulation, in truth, he’s been  manipulated into fighting a real war, and actually killing the enemies, called buggers. He moves to a new colony planet with his sister, where he discovers that the buggers have created a space just for him. They didn’t know humans had intelligence, and they want to communicate with him. They show him what the war looked like from their point of view, and Ender and the buggers meet a point of understanding. He vows to live with them in peace, starts a new kind of religion, and writes a Bible-like book about the buggers, signing it Speaker For The Dead, which is a perfect segue into the Ender’s Game sequel.

    Atonement, by Ian McEwan
    Atonement is about misinterpretation and its repercussions. Briony observes her big sister Cecilia and Cecilia’s friend Robbie flirting and assumes something shameful has happened between them. She accuses Robbie of rape, and Robbie goes to jail. The story then follows Cecilia and Robbie as they go to war, fall in love, and wind up together forever. But at the end of the novel, you discover that Briony is actually the book’s narrator—and she’s been lying to you, too. She did accuse Robbie of rape, and he was jailed, but C & R didn’t live happily ever after together, after all. They both died in the war. Briony just wrote a happy ending for them to atone for her sins. That’s what she says, anyway. I’m not sure I believe anything she says anymore.

    And Then There Were None, by Agatha Christie
    Most Agatha Christie novels leave you gobsmacked (The Murder of Roger Ackroyd, anyone?) But And Then There Were None is an absolute masterpiece of the whodunnit? formula. People invited to a party in a mansion keep on being murdered, but by whom? Well, if you’re sure you want to know…it was Judge Wargrave! Swaddled in a red curtain, he fakes his own death so that you, the reader, assume the murderer is someone else. But in a written confession at the end of the novel, you learn that he invited people to a desolate island in order to kill them one by one as punishment for the terrible things they’d done (and thought they got away with). Agatha, you sneak!

    Gone Girl, by Gillian Flynn
    In Gone Girl, husband and wife Nick and Amy tell the story of their tumultuous marriage. We read what we think is Amy’s diary, and it condemns Nick as a violent jerk. We start to believe that Nick is responsible for Amy’s disappearance and possible death. But in a series of twists, the truth is revealed—Amy and Nick are both liars. Nick was having an affair, and Amy has been alive all along, on the lam, trying to frame Nick for her death. What we thought was her diary is actually a cunning trap: it’s a piece of fiction Amy wrote for the police to find. Amy kills a friend and returns to Nick, pregnant with his child, claiming she was kidnapped. Nick takes her back even though he knows the truth. In the end, Amy says she’s getting ready to become a mom by writing her abduction story. She should hang out with Briony.

    Rebecca, by Daphne du Maurier
    Rebecca begins with one of the most mesmerizing first lines in literature—“Last night I dreamt I went to Manderley again.” Things only get more interesting from there. The unnamed protagonist marries Maxim de Winter and moves into his home, called Manderley. She struggles to live up to the legend of Maxim’s late wife, Rebecca, who was seemingly perfect. Mrs. Danvers, the maid, almost gets the protagonist to kill herself in despair. But one day, divers find a sunken sailboat that belonged to Rebecca, revealing that Rebecca was murdered. Maxim then tells the truth: Rebecca was a wretched woman who had multiple affairs—one, with her cousin, resulted in her pregnancy. When Maxim found out, he killed her. In yet another twist, we find out that Rebecca was lying to Maxim—she wasn’t pregnant, but was actually dying of a terminal illness. In the end Old Danvers burns the joint down and disappears. As for Maxim and the protagonist? Happily ever after.

    The Dinner, by Herman Koch
    In Howard Koch’s The Dinner, two brothers and their wives sit down for a meal to discuss the horrific crime committed by their sons. The cousins have been caught on camera attacking a sleeping homeless woman in an ATM, throwing trash and a container of gasoline at her, and then burning her to death. Koch makes it clear that the family is bonded by a common sociopathology. The family argues over what to do. Serge, a politician, wants to come clean about the boys’ crime. Enraged by Serge’s stance, his sister-in-law Claire attacks him, disfiguring his face. Claire urges her nephews to “take care” of Beau, Serge and Babette’s adopted son, who witnessed the crime and is blackmailing the boys by threatening to reveal what they did. At the end of the novel, Beau is missing, and one of the cousins comes home covered in blood and mud. Wonder what happened to him?

    Harry Potter And The Deathly Hollows, by J.K. Rowling
    In J.K. Rowling’s seventh and final installment in the Harry Potter series, it’s revealed that Harry is a Horcrux, and must be killed before Voldemort can be. Viewing Snape’s memories in the Pensieve, Harry sees Snape talking to Dumbledore and finds out that Snape’s been his protector all this time. Snape loved Harry’s mother, Lily Potter, and spent his entire life spying on Voldemort for Dumbledore. Meanwhile, Dumbledore had been steering Harry to sacrifice himself for the larger good. Good and evil are blurred once again when Harry survives and learns that Dumbledore loved him, even if he expected him to sacrifice himself. Ms. Rowling, you’ve tricked us again.

    Rant, by Chuck Palahniuk
    This novel is an oral biography of protagonist Buster Landru “Rant” Casey, who has died. The reader gathers that Rant lived in a dystopian future where lower class citizens, called “nighttimers,” engaged in an activity called “Party Crashing,” a demolition derby where the crashers slam into each other in cars. The catch: if you crash in the right mental state, you’ll travel backwards in time. Rant disappears during Party Crashing, so his friends assume he’s time traveling. It takes some piecing together to figure out that Rant has been traveling back through time, raping his ancestors every thirteen years in an effort to become a superhuman. He isn’t one character; he is many. You can’t make this stuff up, but I guess Palahniuk did.

    Anna Karenina, by Leo Tolstoy
    Anna Karenina is about a lot of stuff, but the heart of the story lies with Anna and her downward spiral from captivating spitfire to insecure shell of a woman. The book is beautifully written. Much of its pleasure comes from the character studies and quiet plotting. Then, in one of the most shocking moments in literature, Anna throws herself under a train and dies and you are stupefied. One of my friends always says, of Anna Karenina, “if you only read one ‘old’ book in your whole life, have it be this one.” Agreed.

    Something Happened, by Joseph Heller
    You’ll spend more than 400 pages reading about not much happening, rolling around in the protagonist’s brain as he goes to work, cares for his son, and fantasizes about the secretary. I can’t tell you what happens, though. That would ruin the book completely. 

    Kidding, obviously. The whole point, here, is to ruin your enjoyment of surprising books!

    Slocum’s son is a weakling because Slocum never made him go to gym class. This son gets hit by a car. In sadness and despair, Slocum hugs him to death. I mean that very literally, not the new kind of “literally.” Slocum hugs his son until he dies from squeezing. 

    Even with the surprises spoiled, reading these books is still a worthwhile endeavor. You’re going to read all of them, right? What’s the best book twist you’ve ever read?

    The post DO NOT READ THIS POST: The 10 Biggest Book Spoilers, Ever appeared first on Barnes & Noble Reads.

     
  • Elodie 2:00 pm on 2016/12/20 Permalink
    Tags: , , , harry potter,   

    5 Reasons Fantastic Beasts and Where to Find Them is a Newbie Reader’s Best Way Into the Wizarding World 

    Longtime fans have been clamoring to see Harry Potter prequel Fantastic Beasts and Where to Find Them on the big screen ever since its announcement, on the heels of a long dry spell for Potter cinephiles. But the movie isn’t just a sparkling, often dark addition to the canon for those who already love J.K. Rowling’s brand of narrative magic—it’s also a new reader’s perfect introduction to the wizarding world. If you’ve never read Harry Potter and are wondering if you should climb aboard the bandwagon, here’s why you absolutely should, and why Fantastic Beasts is the best place to start.

    1. You can dip your toes in first.
    Once you’re hooked on Rowling, seven books (and one script book) in the Potter series won’t seem like enough. But coming in cold, it might look like a hefty commitment for a newcomer. If you’re looking to test the waters before diving in, Fantastic Beasts is the way to go. The film features a practically new character in Newt Scamander, a magical creature enthusiast who eventually goes on to write one of Harry Potter’s school textbooks and has plenty of misadventures along the way. Bonus: the movie isn’t an adaptation of a novel, meaning you can see it without invoking the ire of book purists, and you won’t be missing out on anything. Score!

    2. It won’t give anything away.
    Fantastic Beasts takes place in 1920s New York City—about seventy years before the events of the Harry Potter saga. Needless to say, you’ll be safe from spoilers. (It won’t be like trying to navigate Twitter after the latest Game of Thrones episode, for instance.)

    3. But that doesn’t mean Fantastic Beasts is entirely unrelated to the larger Harry Potter series.
    Fantastic Beasts is set in the same richly textured world as the series that first captivated readers over 15 years ago—which means Newt uses many of the same magical spells as Harry, that institutions (like the Ministry of Magic and Hogwarts School of Witchcraft and Wizardry) exist in both stories, and certain characters even pop up in each. However, elements are incorporated so seamlessly (and familiar names dropped so casually) that Potter newbies won’t feel left out.

    4. It will leave you wanting more.
    Which is perfect. Fantastic Beasts is the first of five (yes, five!) movies, so you’re all set there. And if you’re interested in the nuances and finer details of the wizarding world—more than what the quick-paced, rollicking good time that is Fantastic Beasts delivers onscreen—then we can think of seven books you might like.

    5. You’ll still have the whole Harry Potter series to look forward to.
    Most Potter fans would like nothing more than to be able to go back and reread the series again for the best time. It’s not one of the biggest bestsellers of all time for nothing. After falling for Rowling’s world in Fantastic Beasts, you’ll be in the uniquely enviable position of having basically prepared your mind to be blown. Because trust us when we say this: the Harry Potter saga is life-changing.

    The post 5 Reasons Fantastic Beasts and Where to Find Them is a Newbie Reader’s Best Way Into the Wizarding World appeared first on Barnes & Noble Reads.

     
  • Elodie 2:00 pm on 2016/12/06 Permalink
    Tags: , , harry potter,   

    7 Reasons Harry Potter and the Deathly Hallows Is the Best Literary Finale of All Time 

    In Harry Potter and the Deathly Hallows, it comes down to Harry to defeat Lord Voldemort once and for all. He and best friends Ron and Hermione must decode cryptic clues left for them by Hogwarts headmaster Dumbledore—all while being hunted by evil wizards in the midst of an ongoing war—to make one last stand for the side of good in the wizarding world.

    This book marks the final chapter in a beloved, boundary-breaking saga, so it’s fair to say expectations were high. But worry not—J.K. Rowling rose to the occasion magnificently. In its joy and heartbreak and sheer storytelling magic, Harry Potter and the Deathly Hallows is the best denouement in the history of literature, full stop. Here’s why.

    It’s the first book in the series to take place outside of Hogwarts.
    The series’ first six installments rarely stray from their beloved formula, in which Harry finishes out a deadly summer break with the Dursleys before setting out for another year at literature’s most iconic wizarding school, where he dabbled in world-saving in between Potions classes. But in Harry Potter and the Deathly Hallows, he finds himself unmoored from the place he’s come to call home—which is what makes his inevitable return to Hogwarts’ ground toward the end of the novel all the more powerful.

    The whole thing is an emotional rollercoaster.
    It’s a showdown between good and evil; of course there are going to be casualties. Voldemort is seeking a way to secure immortality, and he’s leaving a trail of death and destruction (and the neverending tears of everyone reading along at home) in his wake.

    It dares ask the question, “What if this story doesn’t have a happy ending?”
    The fates of Harry and Voldemort have always been linked. And in the eleventh hour, Harry is forced to confront a very difficult truth, one he has known for years—that just because he and Voldemort are fated to clash, it doesn’t mean Harry is fated to win.

    It ties up loose ends.
    In a seven-book saga, tying up loose ends is no mean feat—and what’s even more impressive is that Harry Potter and the Deathly Hallows does it in a way that feels both fresh and revelatory and utterly right.

    It rewards longtime fans.
    Over the course of the Harry’s journey, we’re able to revisit key places and hark back to notable moments from previous books. Rowling begins this book with a heartfelt dedication to her readers (“and to you, if you have stuck with Harry until the very end”), and she really, truly means it.

    That said, it’s also a literary achievement unto itself.
    Harry Potter and the Deathly Hallows is a rousing culmination of seven books’ worth of page-turning plot, but it doesn’t rely solely on its previous installments to wow you. There are new characters, new dangers, and new twists to keep you guessing.

    It’s a satisfying conclusion to a much-loved series.
    Whether you grew up with Harry or are just reading the books now, you’ll thrill to witness Harry’s transformation from “11-year-old orphan who doesn’t know what a magic wand is” to “17-year-old action hero who chooses his own destiny.”Harry Potter and the Deathly Hallows not only brings that coming of age tale full circle, but it also ensures that this expertly crafted world of wizardry will stay with you far beyond the final page.

    The post 7 Reasons Harry Potter and the Deathly Hallows Is the Best Literary Finale of All Time appeared first on Barnes & Noble Reads.

     
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