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  • Nicole Hill 4:00 pm on 2017/04/21 Permalink
    Tags: fantasy, , , starter kit   

    20 Books for the New Fantasy Reader 

    Fantasy can be a difficult genre for beginners to penetrate, and in a sense, that’s fitting. The foundations of the genre rely on invention and reinvention, pushing boundaries, and infusing the known with the unknown.

    Where do you even begin when the worlds are unfamiliar (and sprawling), and you can’t fight your way through the hordes of wizards and magicians, faeries and pixies, elves and dwarves, fallen gods and avenging angels? Well, there’s an answer to that question. Dozens, in fact.

    Assuming you’re familiar with the genre’s mainstream staples like Harry Potter and The Lord of the Rings (if not, to your shopping cart!), here are a few must-haves for your fantasy starter kit. They will ease you into this diverse, unpredictable reading experience—and hook you for years to come.

    The Night Circus, by Erin Morgenstern
    Besides being one of the biggest inspirations for those participating in the annual NaNoWriMo challenge, The Night Circus is a dazzling revelation of love, magic, and mystery. At its center is a circus, specifically Le Cirque des Reves, an ethereal and enigmatic traveling revue that unfurls its striking black-and-white tents without warning. Each night, it mesmerizes visitors. But these visitors are ignorant of the far bigger show happening backstage between two young magicians, Celia and Marco, unwitting players in a game they’ve been groomed for their whole lives.

    Neverwhere, by Neil Gaiman
    It was hard to whittle down Gaiman’s presence on this list to just one book, as he’s one of the most accessible authors working in fantasy. Neverwhere is as good a launching point as any, particularly since its central plot arc is an ode to discovering hidden worlds. Beneath the streets of London is, in fact, another London, one most folks don’t see, filled with magic and monsters, bazaars and the bizarre. A single Good Samaritan deed knocks Richard Mayhew into this world, where danger and delight go hand in and hand.

    A Wizard of Earthsea, by Ursula K. Le Guin
    Le Guin’s Earthsea series is on par with the works of J.R.R. Tolkien and C.S. Lewis for their importance in both fantasy and young adult literature, but the series has remained under the radar for non-genre readers. It’s a coming-of-age tale for the ages that reveals itself quickly and elegantly. Ged is a wizard you’re meant to relate to, instead of being awed by him. Arrogant and powerful, Ged is revealed layer by layer through the story of his hardscrabble youth and his reckless and dangerous rise to power.

    Wintersong, by S. Jae-Jones
    Wintersong blends a number of timeless fantasy influences into something entirely modern and absorbing. Infused in the narrative are Germanic traditions from the Brothers Grimm, parallels with the Greek myth of Persephone, and, well, a healthy dose of Jim Henson’s Labyrinth. When her sister is taken by goblins, 19-year-old Liesl must journey to the realm of the Goblin King to get her back. Securing her return, however, comes with a price, and one that will bring her face to face with the tempestuous and intoxicating figure of her youthful imagination.

    The Name of the Wind, by Patrick Rothfuss
    In his Kingkiller Chronicle series, Rothfuss has managed to nail all the prototypical elements of high fantasy without ever succumbing to cliché or reduction. (The series is also Lin-Manuel Miranda-approved.) There is a unique intimacy in The Name of the Wind, because it’s narrated by its own hero, Kvothe, who relates to the listener and the reader the details of his daring and magic-infested life.

    Every Heart a Doorway, by Seanan McGuire
    This darling novella proves a perfect companion piece for canonic fantasies like Alice’s Adventures in Wonderland and The Chronicles of Narnia. There are no solicitations, no visitors, and no quests at Eleanor West’s Home for Wayward Children. Here, the children who tumble through portals to another world, whether they’re rabbit holes or enchanted wardrobes, wind up, once that world of wonder spits them back out. These children are refugees, with one foot still in the realm of fantasy and one foot in a “real” world that doesn’t understand them anymore. Eleanor West’s school helps these impossible children navigate their reality, until the school itself comes under attack.

    The Library at Mount Char, by Scott Hawkins
    Anyone who’s ever stepped into a library understands the awe-inspiring power it wields. As a girl, Carolyn’s life was upended when her family and, in fact, her whole subdivision were killed, their deaths consumed by mystery and time. Since then, she has worked as a “Librarian,” along with 11 others, under the tutelage of their Father, an enigmatic god-like figure. This is, of course, until Father goes missing, and all manners of hell break loose. The Library at Mount Char is a little bit Gothic, a little bit contemporary fantasy, a little bit magical realism, and a whole lot of mesmerizing.

    Tigana, by Guy Gavriel Kay
    Kay is an old hand at world-building, a central component to a fully realized fantasy, and the world of Tigana is another enchanting example that delights the senses and entices you to want more. What makes this novel, in particular, such a good pick for newbies to the genre is the universality of its themes. The province of Tigana is the lone holdout among its neighbors in standing against the conquering sorcerer Brandin. The resistance doesn’t last long, and part of Brandin’s conquest is to wipe Tigana from memory. Years later, we find a group of survivors fighting to unseat the despot and restore their homeland.

    The Hundred Thousand Kingdoms, by N.K. Jemisin
    Jemisin is a darling of the Hugo and Nebula awards and for good reason. Her Inheritance Trilogy at once hews to standard fantasy features, while giving them new life. Yeine Darr has spent her youth as an outcast, the product of her parents’ forbidden love. But upon the mysterious death of her mother, Yeine becomes the heir to the throne of the Hundred Thousand Kingdoms—well, one of the heirs anyway. As she’s pulled into a power struggle with two of her cousins, she’s also drawn into the intriguing and tangled story of a group of overthrown and subjugated gods.

    Howl’s Moving Castle, by Diana Wynne Jones
    This inimitable classic is often categorized as children’s fiction, but it holds appeal for all ages. Howl’s Moving Castle is odd and moving and ultimately dazzling. Much misfortune has befallen Sophie, but none so much as when she gets on the bad side of the Witch of the Waste. A spell transforms Sophie into an old woman, and her only chance at undoing it lies in the ambulatory castle of Wizard Howl. If you’ve seen the Hayao Miyazaki adaptation, it’s time you read the source material.

    Deathless, by Catherynne M. Valente
    Even more than other forms of fiction, fantasy is rooted in elements of folklore, and Valente’s retelling of the story of Koschei the Deathless, a menacing figure in Russian tradition, is a fine example of how timeless these narratives are. Primarily, the novel’s action is seen through the eyes of Marya Morevna, a child of the Communist revolution who unwittingly becomes Koschei’s bride. And, as is customary in Valente’s works, the story is intricate, involving, and otherworldly.

    The Magicians, by Lev Grossman
    There’s a subversive side to magic, all those schools full of future witches and wizards, always on the lookout for some mysterious, powerful foe. That’s where Brakebills College for Magical Pedagogy comes in. Quentin Coldwater has never believed magic is real, until he passes the Brakebills entrance exam. The experience isn’t quite Hogwarts, and Quentin discovers magic alone might not be able to fill the emptiness inside of him.

    Small Gods, by Terry Pratchett
    There are various entry paths to the glory of Pratchett’s Discworld series, depending on which set of sideways characters you most prefer. Small Gods is one of a few novels in the series that stands alone entirely, which makes it an excellent jumping-off point. The Discworld books skewer high fantasy tropes (while simultaneously building a complete fantasy world) and in this outing, Pratchett set his sights on religion. Much like everything in Discworld, religion is a business, and being a god requires being noticed. When you’re trapped in the form of a tortoise, this can be difficult.

    Borderline, by Mishell Baker
    The starter for Baker’s Arcadia Project series introduces an exciting urban fantasy and an important introspection on mental health. Millie lost her legs, as well as her budding filmmaking career, after a failed suicide attempt. Since then, she’s been at sea. Then the Arcadia Project finds her and initiates her into a secret police of sorts, whose jurisdiction is the line between our world and parallel reality, filled with creatures from myth, legend, and fairy tale.

    Three Parts Dead, by Max Gladstone
    The Craft Sequence consumes about a half-dozen science fiction and fantasy subgenres and spits them back out in a form totally new and exhilarating. Each of the novels can stand alone, but they also fit together to create a world entirely unlike any other. This is a world undone by the God Wars and rebuilt, this time comprised of a powerful network of human sorcerer-bureaucrats. Tara is a newbie at her international necromantic firm, and her first case is a doozy: her client is a recently deceased fire god whose power fuels a giant metropolis.

    The Lies of Locke Lamora, by Scott Lynch
    Fantasy has a rich tradition of rogues, thieves, and scoundrels. Locke Lamora is one such person. A wily orphan turned con artist extraordinaire, Locke leads a delightful and dastardly band, the Gentleman Bastards, in crimes and capers, leading to a certain level of infamy, as the “Thorn of Camorr.” But Locke’s own schemes may be a part of a game he knows little about, and that confrontation will change the trajectory of his merry band of “petty” thieves.

    A Stranger in Olondria, by Sofia Samatar
    At the heart of Samatar’s debut is the power of reading, and of stories. A merchant’s son, Jevick has long dreamed of Olondria, a distant, prosperous, and more literate land than his own Tea Islands. Upon the death of his father, Jevick is finally given the opportunity to travel to Olondria, only to run into misfortune once there. Haunted by the ghost of a young girl and ensnared in the political strife of Olondria, Jevick finds his fantasy home different from reality. His challenges, however, allow for an immersive and dazzling world-building experience for you.

    A Discovery of Witches, by Deborah Harkness
    Harkness’ All Souls Trilogy often earns comparisons to the prolific and voluminous Outlander novels. The parallels are obvious between two epics of time travel and romance, but for those just beginning to chart a course in fantasy, A Discovery of Witches provides a more bite-sized introduction, as it chronicles the accidental adventures of Diana Bishop, scholar and unwilling witch. Her discovery of an enchanted alchemical text in Oxford’s library sets off a supernatural storm of epic proportions and sparks a sweet and addicting star-crossed romance.

    Labyrinth Lost, by Zoraida Cordova
    It’s indisputable: YA fiction not only does fantasy well, but it also makes the genre accessible and endlessly engaging. More often than not, protagonists in fantasy novels search for magic, yearn for its power. Alex, on the other hand, would rather distance herself from hers. Alex is a bruja, the latest in a long familiar line, but for her, magic has brought only pain. When a spell goes awry, she must travel to Los Lagos, a dark, yet seductive, purgatory realm that mixes Alice’s Adventures in Wonderland with Latinx myth and tradition.

    Shadowshaper, by Daniel Jose Older
    A bold and vibrant read, Shadowshaper takes you to the far-off magical realm of Brooklyn. Sierra Santiago has been looking forward to a low-key summer, until a zombie party-crasher destroys those plans. In fact, things seem to be going haywire all over. Sierra’s an artist, and her murals have begun to warp, and weep, all on their own. Her grandfather regains lucidity long enough to tell her of her family’s sorcerous heritage, and of the impending danger for her and her kind. The murals aren’t the only art in this book; every page is a masterpiece.

    A Darker Shade of Magic, V.E. Schwab
    Sometimes the easiest way to suspend disbelief is to root the unfamiliar in ordinary and expected places. A Darker Shade of Magic uses London for this purpose, although it actually uses four Londons, in parallel realities but with divergent histories and cultures. Kell is one the last of a breed of magicians who can travel between these worlds. The ability does create some temptations, in which Kell indulges. When one of his smuggling exchanges goes wrong, he unleashes a potential cataclysm that could imperil all four worlds.

    What book would you recommend to a new fantasy reader?

    The post 20 Books for the New Fantasy Reader appeared first on Barnes & Noble Reads.

  • Jeff Somers 10:00 pm on 2016/12/30 Permalink
    Tags: , fantasy, , ,   

    9 Things You Never Knew about The Chronicles of Narnia 

    If you’ve been alive and more or less aware over the last 60-odd years, you are no doubt familiar with C.S. Lewis’ The Chronicles of Narnia. The seven-book series ranks collectively among the most-beloved novels of all time (they’re certainly among the bestselling). In fact, the Narnia books are so embedded in pop culture, you may think you know everything there is to know about them—but even after all these years, and all the film and TV adaptations, these nine facts about the series may still surprise you.

    Lewis came up with the idea when he was 16
    Lewis published The Lion, the Witch, and the Wardrobe in 1950, when he was 52 year old, but the original inspiration for the story came when he was just 16: an image of a faun carrying parcels through the snow. He said that after carrying that vision with him for more than 20 years, he sat down one day to try write a story around it—a story it took him him 10 more years to finish.

    Lewis burned an early version
    Lewis began work on the first book in 1939, and produced a draft in which the children were named Ann, Martin, Rose, and Peter. When he showed the story to his friends and colleagues, however, the reaction was consistently negative, so he burned the manuscript and started over. He later stated that the missing ingredient was Aslan: as soon as he added the heroic and not-at-all tame lion to the story, everything fell into place.

    Turkish Delight is…an acquired taste
    ]In the first book, when the White Witch Jadis is tempting Edmund, he asks for—and receives, to his greedy delight—a bowl of Turkish Delight. Which means that every year, a fresh crop of children start scheming to get their hands on this obvious delicacy. The truth is, real Turkish Delight is a traditional treat with the consistency of a marshmallow and the taste…well, a taste that is tough to describe. But unless you’re eating one of the watered-down versions drowned in milk chocolate, there is a really good chance you won’t enjoy it.

    People still argue about the correct order
    Lewis was honest about not having planned out the series; he expected to write one book, then wrote a sequel and thought that would be the end of it, and so on. As a result, he stated explicitly that he had no preference for a reading order. The publisher started claiming that Lewis had a “preferred order” that began with The Magician’s Nephew, the sixth book to be published. People still get into internet fights over the subject.

    Susan is the most controversial character in the series
    Susan Pevensie, the Gentle Queen, only appears in the first two books. In The Voyage of the Dawn Treader, she’s said to be in America with the Pevensie parents, on a trip. By the time of The Last Battle, when Narnia is destroyed and the Pevensies (and just about everyone else ever connected with Narnia) are transported from the scene of an accident to live forever with Aslan, Susan is specifically left out, because (basically) she’s grown up and left her childhood fantasies behind. Or, if you believe author Philip Pullman and J.K. Rowling, she’s excluded because she’s discovered the joys of sex, which Lewis disapproved of. Susan, in fact, remains the one character that can get Narnia fans into an all-out brawl—is she the victim of Lewis’ hateful misogyny, a silly girl who lost immortality, or can we imagine she would someday be recalled to Narnia?

    Many of the characters are based on real people
    Lewis borrowed most of Narnia from other works, legends, and his own religious background. He also borrowed people. The Pevensie children were based on actual children who came to live with Lewis during the Blitz in World War II; Puddleglum the Marsh-Wiggle was based on Lewis’ gardener, Fred Paxford; and Lewis himself can be seen as the basis for Professor Digory Kirke.

    They’re still making movies
    Three major films based on the books were released between 2005 and 2010, but production stalled on a fourth due to declining ticket sales. For a while, it was assumed that either no more movies would be made, or the whole series would be rebooted. However, a fourth film, The Silver Chair is planned for a 2018 release, with an all-new production team and cast.

    It isn’t really a Christian allegory
    If you know nothing else about the Narnia books, you know that Lewis wrote them as Christian allegory, and you’re either okay with that, or horrified by it. But the fact is, the books aren’t an allegory at all—they’re a thought experiment. While there are definitely Christian references and themes in there, Lewis simply asked himself: suppose there was a world like Narnia—how would God save it as he saved this one?

    Who ever heard of a witch that really died?
    At the end of The Lion, The Witch, and The Wardrobe, the White Witch—Queen Jadis—is defeated and killed. We meet her again, of course, in The Magician’s Nephew, where her origins in Narnia are revealed. But a lot of people think we also see her in The Silver Chair, as the Lady of the Green Kirtle, who has enslaved Prince Rilian of Narnia. The descriptions of the two women are very close, and as Nikabrik states in Prince Caspian, “who ever heard of a witch that really died?”

    The post 9 Things You Never Knew about The Chronicles of Narnia appeared first on Barnes & Noble Reads.

  • Elodie 2:00 pm on 2016/11/29 Permalink
    Tags: , , , fantasy, , ,   

    8 Spells, Potions and Objects in Harry Potter and the Half-Blood Prince That Will Make You Wish Magic Was Real 

    Behind every fictional bad guy is the dark and troubled past that made him this way. Lord Voldemort of the Harry Potter series (aka, the most villainous villain to ever villain) is no exception. In Harry Potter and the Half-Blood Prince, Harry plumbs the depths of his archenemy’s life story—and discovers Voldemort may in fact have a fatal flaw after all.

    Needless to say, it’s not just another year at Hogwarts. And while we wouldn’t trade places with Harry for a second (unprepared as we are to take on an evil wizarding overlord), we can’t help but wish we had some of the magical spells, potions, and objects he gets to use along the way. Here are just a few that give us serious enchantment envy.

    The potion: Felix Felicis
    What it does: It’s liquid luck! Though the effects only last a few hours, you’ll succeed in everything you try. Harry uses this in the ongoing crusade to suss out Voldemort’s weakness, but think how useful it would be during a final exam, job interview…or the lottery.

    The spell: Muffliato
    What it does: It fills the ears of everyone in the vicinity with an undetectable buzzing sound, so private conversations can be held without being overheard. Harry discovers this spell, among many others, scribbled in the margins of an old Potions textbook—they seem to have been invented by someone who calls themselves the “Half-Blood Prince.”

    The object: A Canary Cream
    What it does: This might look like your average, everyday custard cream, but when eaten, it briefly transforms the consumer into a canary. The holidays are coming up. You can’t tell us this wouldn’t be a big hit at Thanksgiving dinner, either as a conversation starter or as a way to change the subject when your relatives start asking about your future, or why you aren’t dating anyone.

    The object: The Hand of Glory
    What it does: It’s an instrument that gives light only to the holder. With this tool at your disposal, bothering other people with the light of your cell phone as you struggle to find a seat in a dark movie theater would be a thing of the past. Draco Malfoy, who as usual appears to be up to something nefarious, might just be using his Hand of Glory to a more sinister end.

    The spell: Aguamenti
    What it does: It causes water to shoot from the tip of one’s wand. If this were real, we’d be using it all the time, either for refills when we’re thirsty or to shoot jets of water at unwitting friends.

    The object: The Pensieve
    What it does: It’s a handy item that allows you to deposit your memories into a container and then reexamine them at your leisure. Harry, alongside Hogwarts headmaster Professor Dumbledore, uses this to explore the memories of those who knew Voldemort growing up. Most people would probably use it to figure out where they left their wallet, but defeating a Dark Lord is pretty good, too.

    The object: A Skiving Snackbox
    What it does: Everyone fakes sick to get out of doing things. Everyone. What’s often missing is the authenticity factor. The Skiving Snackbox is a magical product developed by twin entrepreneurs Fred and George Weasley, and is one of four treats designed to make you just sick enough to get out of school, work, or your great-aunt’s 90th birthday party. We recommend the Fever Fudge rather than the Puking Pastille or the Nosebleed Nougat, though there’s something to be said for the Fainting Fancy.

    The object: 10-Second Pimple Vanisher
    What it does: Self-explanatory. This is another product courtesy of Fred and George, and we think we speak for all of us when we say…where is the real-life equivalent? We can put a man on the moon and invent cars that drive themselves, but we haven’t yet devised a way of getting rid of acne instantaneously? What’s up with that?

    The post 8 Spells, Potions and Objects in Harry Potter and the Half-Blood Prince That Will Make You Wish Magic Was Real appeared first on Barnes & Noble Reads.

  • Elodie 1:00 pm on 2016/10/04 Permalink
    Tags: fantasy, , , ,   

    8 Unforgettable Characters You’ll Meet in Harry Potter and the Chamber of Secrets 

    Best friends Harry, Ron, and Hermione are the heart of the Harry Potter series, and a friendship force to be reckoned with. Their status as the Potter world’s three musketeers is cemented in Harry Potter and the Chamber of Secrets, as Ron and Hermione stick by Harry even when the rest of the school is treating him like Voldemort 2.0.

    But Harry and his tried and true friends aren’t the series’ only beloved characters. Chamber of Secrets introduces readers to a whole slew of gloriously dynamic figures—witches, wizards, and…creatures you’ll love, or love to hate—many of whom will make appearances throughout the series. Here are eight of our favorites.

    Dobby. Dobby comes into the story not with a fizzle but a bang, and he serves as our introduction to one of the wizarding world’s most intriguing magical creatures: house-elves. Short of stature, floppy of ear, and decked out in nothing but a pillowcase, Dobby invariably knows more than he’s letting on, but has a real knack for banging into walls whenever he feels he has said too much.

    Lucius Malfoy. He’s the father of Harry’s school rival, Draco, and is basically the Hogwarts version of an overprivileged helicopter parent—but a lot more evil, and a lot more likely to be involved in some very dark magic.

    Gilderoy Lockhart. Lockhart is every incompetent teacher you’ve ever had, but with better hair. He’s a celebrity memoirist, famous for his account of magical derring-do, when he becomes Hogwarts’ new Defense Against the Dark Arts professor. But despite having literally written books on the subject, he doesn’t know much in the way of magic. Case in point: when in doubt, it’s always best NOT to unleash a swarm of pixies on a class of 12-year-olds, but what do we know? He’s the professor.

    The Weasley family. We meet Ron Weasley in book one, of course, but Chamber of Secrets is the first time we encounter the wonderful Weasley clan en masse—from Arthur Weasley and his fascination with spark plugs and all things Muggle-related to Ginny’s schoolgirl crush on Harry.

    Colin Creevey. Excitable Hogwarts first-year Colin would run for both president and vice-president of the Harry Potter Fan Club if such a thing existed. Colin loves nothing more than to tag along and take pictures of the famous Harry Potter, much to Harry’s chagrin. Despite his faults, you’ve gotta love Colin—like a puppy, he has a lot of heart and a heap of (misdirected) affection.

    Aragog. Aragog is Hogwarts Castle’s friendly neighborhood spider, and by “neighborhood” we mean he hangs out in the deepest parts of the Forbidden Forest, and by “friendly” we mean he eats people. Related: Chamber of Secrets is also the book that reveals Ron’s deepest held terror—spiders.

    Moaning Myrtle. This Hogwarts student-turned-Hogwarts ghost spends most of her time in the girl’s bathroom, weeping profusely. Also, she has a thing about being dead, so don’t bring it up in conversation. She’s kind of sensitive about it.

    Tom Riddle. Fifty years before Harry came to Hogwarts, a student named Tom Riddle was faced with the same situation Harry’s facing in Chamber of Secrets: saving Hogwarts—the only place he has ever called home—from strange supernatural attacks, lest it close down for good. All those years ago, Tom Riddle was the one who caught the perpetrator, and through some magical dealings he’s back and willing to lend Harry a hand. Hopefully he’s not harboring any dark and dangerous secrets.

    The post 8 Unforgettable Characters You’ll Meet in Harry Potter and the Chamber of Secrets appeared first on Barnes & Noble Reads.

  • Melissa Albert 7:25 pm on 2016/09/28 Permalink
    Tags: , bryce moore, , fantasy, ,   

    Powering Your Writing Through Discovery: An Interview with Bryce Moore 

    For better or for worse, our memories shape who are. So imagine having the power to steal them from other people—from the memories they cherish, to those they deeply regret. This is the magical premise behind author Bryce Moore’s newest novel for young readers, The Memory Thief, brought to you by Adaptive Studios and available exclusively at Barnes & Noble. We spoke to Moore about his inspiration, his process, and what it was like working with Adaptive Studios.

    What’s your writing background?

    I started writing in second grade, but I didn’t get very serious about it until 2001, when I took a creative writing class at BYU from Dave Wolverton, followed by one on writing for children and young adults by Louise Plummer. I’ve been writing ever since. When I was at BYU, I became friends with Brandon Sanderson, whose Elantris had just been sold. I was in a writing group with him for five years, and I learned a lot about work ethic and attention to detail there. I’ve finished 15 novels so far, though The Memory Thief is only the second to be professionally published. (Vodník came out in 2012.) These days, I write every day, often over lunch or right when I get home from work. Almost all of my books are YA or Middle Grade fantasy or science fiction.

    How did Adaptive find you?

    I originally sold The Memory Thief to Egmont, a publishing house in New York. They were shuttered by their parent company, and when that happened, my book was once again without a home. Thankfully my editor, Jordan Hamessley, ended up at Adaptive, and she was able to make another offer on the book—one I happily accepted.

    How long did it take you to write the manuscript?

    The first draft went really quickly. I think I was done writing it in under two months. But there’s a lot more to writing a book than just writing that first draft. I don’t plot extensively before I write (generally), but with a book like The Memory Thief, you still need to figure out the basics, like how the magic system will work and what the main conflict of the story is. So there’s time ahead of that first draft, and then of course all the revisions that happen afterward.

    What did you read or watch to get inspired to take on this project?

    That’s a great question. I watch a lot of movies and television, which inevitably influences my writing. A lot of times once I know what kind of book I’m going to be writing next I’ll take some time to watch a bunch of movies similar to it. For The Memory Thief, I watched Disney horror movies from my youth: Something Wicked This Way Comes and Watcher in the Woods. The magic system itself was partly inspired by the TV series Pushing Daisies, which I loved (and which was taken from us far too soon). Not that this book is about people coming back from the dead if they get touched, but rather that something simple (in this case, making eye contact with a person) can give a magic user a toehold to do just about anything they want with a person’s memories.

    Books published by Adaptive will ultimately be turned into TV series or movies. Did that affect the way you approached the project?

    It didn’t affect me when I was writing the first draft because, as I said, the book was written before it found a home at Adaptive. Once it was with Adaptive, I’d say it definitely influenced the revision process. I generally write with a fairly visual style (probably due to how many movies I watch), but Adaptive encouraged me to push that even further, making some internal conflicts have corresponding external signifiers.

    What was the revision process like?

    Lots of it. I’m big on revising, and I usually do at least three or four drafts before I even send the book out to my agents. Then we bounce the drafts back and forth a few more times before we submit them to editors. With Jordan, I think I did three more revisions, and a lot of those still involved major changes. The climax was totally reworked, for example, and some plot elements that play a big role throughout the book didn’t come into existence until late in the revision process. A lot of the energy for my writing comes through the discovery process. I write to find out what happens next. Having big changes in revisions helps me to keep that energy going.

    How did writing for Adaptive differ from working on your other novels or projects?

    They were great to work with. The whole creative team gets involved and gives input, which I really valued. I’m always envious of filmmakers, who can have such a collaborative process. Actors, directors, composers—all of them bring something to the table and can help refine a story and perfect it. And then of course with The Memory Thief, Adaptive made a book trailer. I loved being able to see the finished product.

    If you had to write a logline for your life thus far, how would it go?

    A librarian geek moves to rural Maine with his family. Adventure and hilarity ensue.

    The post Powering Your Writing Through Discovery: An Interview with Bryce Moore appeared first on Barnes & Noble Reads.

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