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  • Jeff Somers 6:00 pm on 2018/07/16 Permalink
    Tags: , , cover art, , , looking sharp, ,   

    The 10 Best Book Covers of All Time 

    We’d open this post with the obligatory joke about judging books by their covers—but we all do judge books by their covers. For better or worse, it’s our first impression of the author’s work—and a great cover will make us pick up a book as fast as a poor one will make us put it aside.

    That pressure to stand out inspires a lot of creativity among publishers, and every year, some truly amazing covers are designed. Yet only a few truly penetrate into pop culture to become iconic—perpetually recognizable, often imitated. Here are 10 of the best book covers of all time.

    Beowulf, translated by Seamus Heaney

    Whether you’re interested in a thousand-year old poem written in Old English or Seamus Heaney’s crisp, brilliant translation of what may be the oldest poem in something considered English, chances are you at least stopped to pick up this book when you saw the cover. The intensity of the image conveys horror, violence, and strangeness effortlessly, with the end result being that somewhat more people are familiar with this strange epic poem than before this cover hit the shelves.

    The Great Gatsby, by F. Scott Fitzgerald
    May this cover never to retired. Created by Spanish artist Francis Cugat for the book’s initial printing, it pretty much is the book now, visually-speaking. Its success stems from its haunting, haunted nature, its surrealism, and the way it captures the mood of the book: the sad, weary eyes floating insubstantially over what could be an overheated, decadent party.

    The Godfather, by Mario Puzo
    Simple and stark, this cover, created by S. Neil Fujita, conveys the rotten power Puzo examines, even as it intrigues the potential reader. It could just as easily be the cover to a horror novel—which isn’t actually that far off the mark, if you think about it. There aren’t too many book covers that create what’s essentially a brand logo, but that’s just what this one did.

    A Clockwork Orange, by Anthony Burgess
    Not so much the cover of the edition featured here, which is quite nice, but this one, designed by David Pelham in 1972 to coincide with the film release. Supposedly banged out in a single evening, its use of bright, primary colors was startling at the time, hinting at the hallucinogenic nightmare within, and the use of a cog for an eye punned on the title, referenced the iconic film, and conveyed the sense of society being broken all at once. It’s brilliant on a level no other cover has quite been able to surpass.

    The Hate U Give, by Angie Thomas
    Brilliant covers don’t have to be old; the cover to Thomas’ recent breakout novel, designed by artist Debra Cartwright, uses negative space in a bold, powerful way. Lead character Starr is depicted faithfully based on her description from the book—simultaneously fierce and terrified —and yet she is obscured by her message, which is somehow perfect. Like the subject matter of the story, this cover demands you look.

    Look Who’s Back, by Timur Vermes
    Speaking of negative space, is there a more brilliant use of it in publishing history? We submit that there is not.

    A Million Little Pieces, by James Frey
    We’re not here to rehabilitate Frey or his memoir-that-was-really-fiction. We’re here to praise the cover, and designer Rodrigo Corral. Whatever your opinion of the dark tale of addiction and the poor decisions behind it, the cover conveys chaos, confusion, helplessness—all the things that Frey either did or didn’t deal with in the course of his life. Its use of color is brilliant, and the wrongness of a hand covered in rainbow sprinkles clues you in to the nature of the story.

    The Stranger, by Albert Camus
    If your head spins a little when looking at Helen Yentus’ cover for Camus’ most famous book, you’re in the right headspace to start reading this disturbing, challenging story. The stark lines converging on the diffuse, cloud-like title creates a head-ache inducing optical illusion. Once you see it, you’ll never forget it; once you read the book, you’ll forever associate it nwith this powerful cover.

    The Handmaid’s Tale, by Margaret Atwood
    Nothing against Elizabeth Moss, but the classic cover from the 1985 American paperback, which is still used for many versions of Margaret Atwood’s dark future vision, is the definition of iconic. The overwhelming wall, the apparently hopeless and random motion of the handmaids, and their iconic red costumes—these elements combine into one of the most evocative book covers ever.

    Brave New World, by Aldous Huxley
    Brave New World has had a lot of covers in its time. A lot. But this one, designed by Gregg Kulick for the modern classics series, is stunning. Similar in some ways to the Camus cover above, it combines the absurd and frightening tone of the story with a simple, bold approach that draws the eye and holds it tortuously. You try to figure out what you’re looking at, even as the sneaking suspicion that you don’t want to know creeps up on you.

    What’s your pick for the best cover ever?

    The post The 10 Best Book Covers of All Time appeared first on Barnes & Noble Reads.

     
  • Sara Brady 5:00 pm on 2014/10/14 Permalink
    Tags: Anna Campbell, , cover art, Erin McCarthy, fall coverage, , Melanie Scott, , , , ,   

    Judging a Book by Its Cover: Fall Romance Releases 

    Season of StormsHow important is a book cover? Since I started reading e-books, covers have become much less important to me, but there’s still no underestimating the power of a great one. And there are super talented people working in design, creating unique, evocative, gorgeous covers for some of our favorite authors. Here are some of my favorites that came out recently:

    The paperback rerelease of Nora Roberts’s Jewels of the Sun has a particularly fetching face, from the quaint little cottage where so much of the book takes place to the mysteriously roiling clouds above, hinting at the book’s supernatural subplot. I’m tempted to replace my well-worn late-’90s paperback with this gorgeous new edition.

    Susanna Kearsley’s books always have stunning covers (seriously, look at them—wouldn’t you just love to hang those on the wall of your secluded island getaway?), and her latest, Season of Storms, is no exception. The woman on the cover, turned away from the viewer, hints at the duality of identity that is the center of the book’s mystery, and with that Gothic mansion in the background, I just want to get lost in this one on the next rainy day.

    Fellow readers I trust have been raving about Anna Campbell for years now, and the cover of her new entry in the Sons of Sin series, What a Duke Dares, has won me over. I love the typography, I love her dress, and I’m particularly interested in that shirtless dude right there. It’s all just so lusciously inviting, and yes, I would really like to know what this particular duke is daring.

    Sometimes what I’m in the mood for is an angst-fest I can get wrapped up in but not take too seriously, and that’s when I reach for the arty black-and-white new adult covers, like Erin McCarthy’s Shatter. It has a windswept ingénue and a guy who might be Freddie Prinze Jr. in 1998—what’s not to love?

    And now for something completely different: the cover of Far Gone, Laura Griffin’s new thriller, features no kissing people, no Gothic mansions, no quaint cottages, just a rose in a shattering vase. It’s a great, arresting image, and tells you what to expect on the inside—conflict, overlaid with sensuality. (And, of course, a serial killer. But that’s implied.)

    Finally, I’m a sucker for a baseball book. I’m also a sucker for Bruce Springsteen’s Born in the U.S.A., so you can probably see where I’m going with the cover of The Devil in Denim, by Melanie Scott. Look, I’m allowed to be shallow once in a while.

    What romances are you digging into this season?

     
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