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  • Brian Boone 2:30 pm on 2018/04/12 Permalink
    Tags: children's books, , , ranking roald, , , the classics   

    A Definitive Ranking of the Children’s Books of Roald Dahl 

    When it comes to novels written for kids featuring characters who are kids, Roald Dahl ranks among the best of the best, sharing the status of all-time great with the likes of Beverly Clearly, Judy Blume, and J.K. Rowling. The British author (1916–1990) wrote enough classics to keep a fifth grader busy for months, specializing in tales of often absurd adventure peopled with appealing characters dealing with extraordinary circumstances in believable ways. Dahl knew his audience so very well, and gave them what they wanted without ever patronizing them: a mixture of heart, action, drama, scariness, humor, and, of course, the fantastical. Here then is our highly scientific ranking, of Roald Dahl’s many books for children, from least best (but still wonderful) to most wonderful of all. (We didn’t include any of those silly ones he wrote for grownups here.)

    The Magic Finger (1964)
    Sometimes it takes a writer a while to find their voice. That’s certainly the case with Dahl’s The Magic Finger. It’s a well-meaning if didactic morality tale that serves as a sweet taste of the fun that’s to come. It concerns the Greggs, a family of duck hunters, and the girl next door who simply won’t have that. Unfortunately for the family of hunters, the girl has a magic finger, and when she gets fed up after one of their hunting trips, it acts up and turns the Greggs into ducks themselves.

    George’s Marvelous Medicine (1981)
    A sharp kid named George tries to get revenge on his mean grandmother by replacing her medicine with a concoction of his own making, a mixture of toiletries, floor polish, horseradish, gin, pet meds, antifreeze, and brown paint. He gives it to his grandma, and instead of, you know, killing her, it makes her grow into a giant. George’s parents get so excited, they have him feed it to their chickens. Another medicine shrinks the grandmother into nothingness, and…yeah, kids, don’t try this at home.

    Charlie and the Great Glass Elevator (1972)
    Did you know that there’s a sequel to Charlie and the Chocolate Factory, one of the best novels ever written (which not surprisingly ranks very high on this list; see below)? It’s not quite as indelible as its predecessor—which relies heavily on the elements of surprises and the wonder of discovery, which are hard to hit twice in one world—but it’s definitely a curiosity and worth a read to get just a little more Willy Wonka in your life. It’s basically Charlie and the Chocolate Factory in space, which is…pretty darn hard to resist, now that we think about it.

    The Giraffe and the Pelly and Me (1985)
    Dahl always knew what kids wanted, from both life and books: candy. Lots and lots of candy. The story of Charlie and his Golden Ticket isn’t the only sweet tale Dahl ever wrote. This story is about a little boy who teams up with a giraffe and a pelican (the pelly) to start a window-cleaning company, which he parlays—along with some bouts of heroism—into a shot at running his own candy store. (And yes, the book itself is actually quite delicious.)

    Danny, the Champion of the World (1975)
    Probably Dahl’s most personal work is this tender and touching story of a boy and his widowed father that mixes in Dahl’s beloved “us vs. them” sensibility. Also, Dahl seems to have changed his tune about hunting, because the plot mostly concerns Danny and his dad hunting pheasants on land explicitly owned by someone who doesn’t allow it. There’s a lot of bird drugging and killing in this book, but also a lot of parental bonding, and it takes a fascinating look into life in a Roma caravan.

    The Twits (1980)
    Reportedly inspired by his deep hatred and mistrust of beards—Dahl would’ve despised Portland—The Twits is about one of those old couples who have been together so long they both hate each other and couldn’t live without each other. They’re gross, disgusting, ugly people filled with ugly thoughts and feelings who spend their time playing cruel pranks on each other and tormenting birds, until one day they’re finally outwitted by Muggle-Wump, a kind monkey and his family. It’s a gritty, almost Seussian fairy tale in which the good guys and bad guys are clearly defined, and all that’s supposed to happen does.

    The Enormous Crocodile (1978)
    While Dahl usually eschewed the traditional children’s book conceit of anthropomorphized animals to tell parables about human nature in favor of peopling his stories with people, he occasionally used animals, with all of their brutality and bluntness, to get his point across. Take The Enormous Crocodile, essentially a book about standing up to bullies and giving them a taste of their own medicine. The titular animal is a right nasty fellow, the kind of guy who eats children and brags about it. But his tormenting ways are about to be over, when the other animals conspire to trap him and then literally throw him into the sun. Yeah, that’s what you get, Enormous Crocodile!

    The Vicar of Nibbleswicke (1991)
    Has anything ever had a more British-sounding title than The Vicar of Nibbleswicke? Published in 1991, after Dahl’s death, the book had a noble purpose: to raise awareness and sympathy for people with dyslexia, and proceeds benefitted dyslexia-related charities. That said, the story itself is a sweet one, about a small-town reverend named Robert Lee who has a (fictional) kind of dyslexia that makes him say the most important word in every sentence backward, which leads to amusing comical misunderstandings. There’s a cure, however: walking backward.

    The Minpins (1991)
    This marks Dahl’s final published children’s book, going to print a few months after his death in November 1990. And it’s the book Dahl should have published long earlier, because it’s a straight-up fairy forest adventure we all knew he had in him. A proto-Spiderwick Chronicles, it’s about a little boy named Billy who is forbidden from hanging out in the Forest of Sin, which just so happens to be in the backyard, what with all of the Hornswogglers, Snozzwanglers, Whangdoodles, and other Dahltastically named creatures said to live back there. Billy goes, of course, especially since the actual Devil tricks him into it, promising scores of wild strawberries. What boy can say no to forest adventures and wild strawberries? Or an alliance with the fantastical Minpins?

    The BFG (1982)
    This book is as friendly, gentle, and playful as its title character—“BFG” stands for “big friendly giant.” It’s about how the things we ought to fear at first sight are nothing to fear at all, and how everybody has a bit of humanity in them, as well as a story to tell. Sophie is an orphan who late one night spots a giant, and follows him to his giant cave. She fears she’ll be eaten, but the BFG explains that he’s, like, the only giant who doesn’t eat people. A fast, tender, and unlikely friendship develops, one that fuels a story turn nobody saw coming: Sophie and the BFG get the Queen on board for a huge plan to catch all the bad giants.

    Esio Trot (1990)
    It’s like a romantic comedy meets Three’s Company…for kids! A tenant of a normal-seeming contemporary apartment building, lonely old Mr. Hoppy, is in love with downstairs neighbor Mrs. Silver, but she’s too focused on her pet tortoise, Alfie, for romance. Alfie won’t grow, and Mrs. Silver doesn’t know why…so Mr. Hoppy buys a series of tortoises of increasingly larger size to make Mrs. Silver happy. And, because this is a romance, these bizarre, outsized gestures actually work. Take note, kids: If you love somebody, buy them turtles. (BTW: “Esio Trot” is an anagram of “tortoise.”)

    James and the Giant Peach (1961)
    Where would children’s literature, especially British literature, be without the gift of orphans? So many orphans! It’s a nice literary device that gets a kid away from the confines of home and safety and on to doing things like, well, traveling the world inside a giant peach. After rhinos eat his parents (it happens), James goes to live with his mean aunts, until a Jack and the Beanstalk–type situation emerges, producing a house-sized peach. James foils the aunts’ plans to make a buck off the thing (as adults do) and heads inside it, where he meets a bunch of friendly insects. One of them cuts the peach away, and the whole gang is off and running, inside the peach, on a fantastical adventure.

    Fantastic Mr. Fox (1970)
    A story so cool, stylish, and timeless it was adapted smoothly into a cool, stylish, and timeless Wes Anderson movie. We humans may have an affinity for foxes because while they look like a cross between our beloved dogs and cats, and they’re as clever and crafty as we like to think we are. None is more clever and charismatic than Mr. Fox himself, a family man who provides by stealing from local farmers Boggis, Bunce, and Bean. The farmers devise a plan to starve him out, but Mr. Fox, like you, young reader, is far too clever to just give up.

    Matilda (1988)
    This is perhaps the most definitive Roald Dahl novel in that it’s about a pure-hearted, special child whose gifts go unnoticed by the evil and wretchedly awful adults around her…until she rises up in rebellion. Matilda Wormwood uses her superpowers to take on wicked headmistress Miss Trunchbull (not to mention her horrible family), finding the parental love she so needs and wants from an unlikely source.

    The Witches (1983)
    Part of Dahl’s enormous, enduring appeal to children is that he doesn’t shield them from the world—he doesn’t sugar-coat its evils, but rather uses metaphors to help kids understand all the bad that’s out to get them, which they of course find irresistible. Of course, it helps when his protagonists are tough, brave kids who get things done. This is the kind of story Dahl excels at telling, and The Witches is a perfect example. With some obvious parallels to history and politics, it focuses on one boy’s attempts to take down a truly evil international syndicate of child-hating, child-killing witches. Unlike other kids vs. adults tales in the Dahl canon, however, The Witches has a shocking, unfair ending. Hey, sometimes life is like that, kids.

    Charlie and the Chocolate Factory (1964)
    Like Matilda, this one features a child in peril whose patience, perseverance, and steadfast commitment to being his true self serves allows him to get justice and rewards in the end. But Charlie and the Chocolate Factory is just a little bit better than Matilda because it’s such a feast for the brain. It’s one set piece after another when Charlie finally ditches his gray London life for the technicolor world of pure imagination of Willy Wonka’s mysterious, bizarre, and vaguely menacing chocolate factory. Both film adaptations do a good job visualizing the factory, but nothing can do it as well as the eye of a child’s mind.

    The post A Definitive Ranking of the Children’s Books of Roald Dahl appeared first on Barnes & Noble Reads.

     
  • Elodie 2:00 pm on 2016/11/29 Permalink
    Tags: , , children's books, , , ,   

    8 Spells, Potions and Objects in Harry Potter and the Half-Blood Prince That Will Make You Wish Magic Was Real 

    Behind every fictional bad guy is the dark and troubled past that made him this way. Lord Voldemort of the Harry Potter series (aka, the most villainous villain to ever villain) is no exception. In Harry Potter and the Half-Blood Prince, Harry plumbs the depths of his archenemy’s life story—and discovers Voldemort may in fact have a fatal flaw after all.

    Needless to say, it’s not just another year at Hogwarts. And while we wouldn’t trade places with Harry for a second (unprepared as we are to take on an evil wizarding overlord), we can’t help but wish we had some of the magical spells, potions, and objects he gets to use along the way. Here are just a few that give us serious enchantment envy.

    The potion: Felix Felicis
    What it does: It’s liquid luck! Though the effects only last a few hours, you’ll succeed in everything you try. Harry uses this in the ongoing crusade to suss out Voldemort’s weakness, but think how useful it would be during a final exam, job interview…or the lottery.

    The spell: Muffliato
    What it does: It fills the ears of everyone in the vicinity with an undetectable buzzing sound, so private conversations can be held without being overheard. Harry discovers this spell, among many others, scribbled in the margins of an old Potions textbook—they seem to have been invented by someone who calls themselves the “Half-Blood Prince.”

    The object: A Canary Cream
    What it does: This might look like your average, everyday custard cream, but when eaten, it briefly transforms the consumer into a canary. The holidays are coming up. You can’t tell us this wouldn’t be a big hit at Thanksgiving dinner, either as a conversation starter or as a way to change the subject when your relatives start asking about your future, or why you aren’t dating anyone.

    The object: The Hand of Glory
    What it does: It’s an instrument that gives light only to the holder. With this tool at your disposal, bothering other people with the light of your cell phone as you struggle to find a seat in a dark movie theater would be a thing of the past. Draco Malfoy, who as usual appears to be up to something nefarious, might just be using his Hand of Glory to a more sinister end.

    The spell: Aguamenti
    What it does: It causes water to shoot from the tip of one’s wand. If this were real, we’d be using it all the time, either for refills when we’re thirsty or to shoot jets of water at unwitting friends.

    The object: The Pensieve
    What it does: It’s a handy item that allows you to deposit your memories into a container and then reexamine them at your leisure. Harry, alongside Hogwarts headmaster Professor Dumbledore, uses this to explore the memories of those who knew Voldemort growing up. Most people would probably use it to figure out where they left their wallet, but defeating a Dark Lord is pretty good, too.

    The object: A Skiving Snackbox
    What it does: Everyone fakes sick to get out of doing things. Everyone. What’s often missing is the authenticity factor. The Skiving Snackbox is a magical product developed by twin entrepreneurs Fred and George Weasley, and is one of four treats designed to make you just sick enough to get out of school, work, or your great-aunt’s 90th birthday party. We recommend the Fever Fudge rather than the Puking Pastille or the Nosebleed Nougat, though there’s something to be said for the Fainting Fancy.

    The object: 10-Second Pimple Vanisher
    What it does: Self-explanatory. This is another product courtesy of Fred and George, and we think we speak for all of us when we say…where is the real-life equivalent? We can put a man on the moon and invent cars that drive themselves, but we haven’t yet devised a way of getting rid of acne instantaneously? What’s up with that?

    The post 8 Spells, Potions and Objects in Harry Potter and the Half-Blood Prince That Will Make You Wish Magic Was Real appeared first on Barnes & Noble Reads.

     
  • Elodie 1:00 pm on 2016/11/01 Permalink
    Tags: children's books, , , ,   

    8 Ways Harry Potter and the Goblet of Fire Goes Wonderfully Dark 

    The much-loved Harry Potter series may start off with a bunch of lighthearted magical shenanigans, but by the time we hit book number four, things take a turn for the serious. In Harry Potter and the Goblet of Fire, Harry finds himself competing in the Triwizard Tournament, a dangerous competition that pits contestants from three wizarding schools against each other in a trio of increasingly treacherous magical competitions. The thing is, he didn’t sign up for this—someone else entered his name. Possibly someone with a dark purpose and a larger plan in mind.

    So how exactly do things get dark in the fourth chapter in Harry’s story? Let us count the ways.

    1. We meet the Death Eaters.
    We already knew there were people who supported Voldemort (the wizarding world’s resident big bad) back when he was powerful. Now we have a name for them, and it’s chilling: the Death Eaters. And it looks like there are still some living among the masses in secret.

    2. It gives us a feel for the First Wizarding War.
    Harry defeated Voldemort when he was just a baby. But before that, Voldemort’s rise to power was littered with panic, confusion, and mysterious deaths aplenty—and suddenly that dark period is at the front of everyone’s minds.

    3. It pits Muggles vs. wizards.
    Voldemort’s is driven by a belief that wizards and witches are superior to Muggles (non-magical people) and Muggleborns (witches or wizards with non-magic parents—like Hermione Granger). The events of Harry Potter and the Goblet of Fire put this conflict front and center, forcing everyone to choose where their loyalties lie.

    4. The Triwizard Tournament could be deadly.
    Hogwarts is no stranger to danger. But now that the school is hosting a magical tournament that was discontinued for 200 years after the death toll got out of hand, the stakes are higher than ever.

    5. The arrival of Professor “Mad-Eye” Moody.
    Harry’s new Defense Against the Dark Arts professor used to be an Auror (basically, the wizarding world’s equivalent of a federal marshal), whose entire job involved catching dark wizards. What we’re saying is, he’s a gruff and eccentric oddball who has seen some stuff, and he’s not shy about letting his students know it.

    6. We learn that magic isn’t all fun and games.
    The imminent threat of rising dark forces throws some of the uglier realities of the wizarding world into sharp relief. Between the Unforgivable Curses—the only three spells punishable by life in wizarding prison Azkaban—and the fates of those who wound up on the wrong side of the Death Eaters all those years ago, we’re given an unpleasant look at what wizards are capable of doing to each other (besides just turning each other’s quills into ravens).

    7. The book puts Harry’s orphanhood into fresh perspective.
    Harry lost his parents the very night he inadvertently defeated Voldemort. He was a baby; he never really knew them. But now that he might be in over his head with this whole “death tournament” thing, it could not be more obvious that what Harry wants—what he really wants—is a parent.

    8. The story is rife with themes of loss. Now, no spoilers, but we may or may not lose a character or two this time around. We DID tell you Harry Potter and the Goblet of Fire is when things get really real. The events of this novel in particular have far-reaching consequences that have a major effect on the rest of the series—right up to the brand-new two-part play, Harry Potter and the Cursed Child.

    The post 8 Ways Harry Potter and the Goblet of Fire Goes Wonderfully Dark appeared first on Barnes & Noble Reads.

     
  • Melissa Albert 7:25 pm on 2016/09/28 Permalink
    Tags: , bryce moore, children's books, , ,   

    Powering Your Writing Through Discovery: An Interview with Bryce Moore 

    For better or for worse, our memories shape who are. So imagine having the power to steal them from other people—from the memories they cherish, to those they deeply regret. This is the magical premise behind author Bryce Moore’s newest novel for young readers, The Memory Thief, brought to you by Adaptive Studios and available exclusively at Barnes & Noble. We spoke to Moore about his inspiration, his process, and what it was like working with Adaptive Studios.

    What’s your writing background?

    I started writing in second grade, but I didn’t get very serious about it until 2001, when I took a creative writing class at BYU from Dave Wolverton, followed by one on writing for children and young adults by Louise Plummer. I’ve been writing ever since. When I was at BYU, I became friends with Brandon Sanderson, whose Elantris had just been sold. I was in a writing group with him for five years, and I learned a lot about work ethic and attention to detail there. I’ve finished 15 novels so far, though The Memory Thief is only the second to be professionally published. (Vodník came out in 2012.) These days, I write every day, often over lunch or right when I get home from work. Almost all of my books are YA or Middle Grade fantasy or science fiction.

    How did Adaptive find you?

    I originally sold The Memory Thief to Egmont, a publishing house in New York. They were shuttered by their parent company, and when that happened, my book was once again without a home. Thankfully my editor, Jordan Hamessley, ended up at Adaptive, and she was able to make another offer on the book—one I happily accepted.

    How long did it take you to write the manuscript?

    The first draft went really quickly. I think I was done writing it in under two months. But there’s a lot more to writing a book than just writing that first draft. I don’t plot extensively before I write (generally), but with a book like The Memory Thief, you still need to figure out the basics, like how the magic system will work and what the main conflict of the story is. So there’s time ahead of that first draft, and then of course all the revisions that happen afterward.

    What did you read or watch to get inspired to take on this project?

    That’s a great question. I watch a lot of movies and television, which inevitably influences my writing. A lot of times once I know what kind of book I’m going to be writing next I’ll take some time to watch a bunch of movies similar to it. For The Memory Thief, I watched Disney horror movies from my youth: Something Wicked This Way Comes and Watcher in the Woods. The magic system itself was partly inspired by the TV series Pushing Daisies, which I loved (and which was taken from us far too soon). Not that this book is about people coming back from the dead if they get touched, but rather that something simple (in this case, making eye contact with a person) can give a magic user a toehold to do just about anything they want with a person’s memories.

    Books published by Adaptive will ultimately be turned into TV series or movies. Did that affect the way you approached the project?

    It didn’t affect me when I was writing the first draft because, as I said, the book was written before it found a home at Adaptive. Once it was with Adaptive, I’d say it definitely influenced the revision process. I generally write with a fairly visual style (probably due to how many movies I watch), but Adaptive encouraged me to push that even further, making some internal conflicts have corresponding external signifiers.

    What was the revision process like?

    Lots of it. I’m big on revising, and I usually do at least three or four drafts before I even send the book out to my agents. Then we bounce the drafts back and forth a few more times before we submit them to editors. With Jordan, I think I did three more revisions, and a lot of those still involved major changes. The climax was totally reworked, for example, and some plot elements that play a big role throughout the book didn’t come into existence until late in the revision process. A lot of the energy for my writing comes through the discovery process. I write to find out what happens next. Having big changes in revisions helps me to keep that energy going.

    How did writing for Adaptive differ from working on your other novels or projects?

    They were great to work with. The whole creative team gets involved and gives input, which I really valued. I’m always envious of filmmakers, who can have such a collaborative process. Actors, directors, composers—all of them bring something to the table and can help refine a story and perfect it. And then of course with The Memory Thief, Adaptive made a book trailer. I loved being able to see the finished product.

    If you had to write a logline for your life thus far, how would it go?

    A librarian geek moves to rural Maine with his family. Adventure and hilarity ensue.

    The post Powering Your Writing Through Discovery: An Interview with Bryce Moore appeared first on Barnes & Noble Reads.

     
  • BN Editors 8:00 pm on 2016/09/20 Permalink
    Tags: , children's books, ,   

    Watch the Exclusive Book Trailer for Bryce Moore’s The Memory Thief 

    The Memory Thief

    For better or for worse, our memories shape who are. So imagine having the power to steal them from other people—from the memories they cherish, to those they deeply regret. This is the magical premise behind author Bryce Moore’s newest novel for young readers, The Memory Thief, brought to you by Adaptive Studios and available exclusively at Barnes & Noble.

    When Benji runs into a group of bullies at a county fair, he ducks into a tent called The Memory Emporium and meets Louis, a strange man with the power to take memories from others. Benji’s parents have been arguing, and he immediately imagines how taking some of their memories could keep them from fighting with each other, and convinces Louis to teach him this intriguing skill. But as he learns more about the art of being a “memory thief,” Benji realizes it is an ability that brings with it powerful—and sometimes damaging—consequences. And soon after meeting fellow memory thief Genevieve, who uses her abilities for evil, Benji finds himself pitted against her in a desperate struggle to protect the memories of everyone in town—including his little sister, Kelly.

    Check out The Memory Thiefs eerily atmospheric book trailer for a colorful glimpse into Moore’s haunting story.

    The Memory Thief is on B&N bookshelves now.

    The post Watch the Exclusive Book Trailer for Bryce Moore’s The Memory Thief appeared first on Barnes & Noble Reads.

     
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