Tagged: bnstorefront-music Toggle Comment Threads | Keyboard Shortcuts

  • Dave K. 6:00 pm on 2018/01/02 Permalink
    Tags: bnstorefront-music, , maroon 5, , , , whitney houston   

    The Best New Vinyl to Spin in January 2018 

    As 2018 spins up, we welcome a handful of great new titles to our vinyl store, ringing in the new year in grand style! We’ve got new albums from Neil Young, Fall Out Boy, and Maroon 5, along with a double-LP release from Whitney Houston, recognizing the 25th anniversary of The Bodyguard. So go ahead, treat yourself to something nice to start of the year.

    The Visitor, by Neil Young
    Canadian rock legend Neil Young has a catalogue an astonishing 39 records deep as of The Visitor, which is also his second with American rockers Promise of the New. Two of the band’s members are Willie Nelson’s sons Micah and Lukas, whose friendship with Young led to their present-day collaborations. If you’re unsure why Young is sometimes called “the godfather of grunge,” this record will set you straight; the guitars have a solid crunch, the lyrics are sharp (especially Young’s anti-Trump anthem “Already Great”), and the drums convey that gut-bucket blues feel that define his work. Conversely, “Children of Destiny” has both tender folk interludes and triumphant horns.

    Mania, by Fall Out Boy
    This album—the band’s seventh—was originally scheduled for September 2017, but was postponed. The extra time the band took with it was well spent—Mania is great, and exactly the kind of “hard restart” record that Pete Wentz hoped it would be. Unlike most bands from humble punk rock beginnings, Fall Out Boy keeps progressing their sound; “Young and Menace,” for example, incorporates elements of EDM and voice alterations, and “Hold Me Tight or Don’t” bounces headlong into pop, and “The Last Of The Real Ones” is a full-stop club hit. Singer Patrick Stump is in especially fine form too; his vocals seem to improve with every record.

    Red Pill Blues, by Maroon 5
    Named after the red pill/blue pill choice from the film The Matrix, Red Pill Blues is Maroon 5’s latest, much-anticipated album. Multi-instrumentalist Sam Farrar finally joins the band as an official member for this record, and SZA and ASAP Rocky make cameos on “What Lovers Do” and “Whiskey,” respectively. Even without additional star power, the band’s blend of soft rock, pop, and funk continues to impress. “Wait,” one of the singles, is likely the song you won’t be able to stop listening to (or replaying in your head) all year, and “Whiskey” will top everyone’s chill-out Spotify playlists (if it hasn’t already). For that full visualize-a-sunset-in-California listening experience, get it on vinyl.

    I Wish You Love: More from the Bodyguard, by Whitney Houston
    It’s been 25 years since the release of the soundtrack for the 1992 film The Bodyguard—still one of the best-selling albums of all time. It’s been reissued as I Wish You Love, and at Barnes & Noble, it’s sold with an exclusive cover. The album includes all six of Houston’s contributions to The Bodyguard–“I Have Nothing,” “I’m Every Woman,” “Run to You,” “Queen of the Night,” “Jesus Loves Me,” and of course, “I Will Always Love You,”–augmented by remixes, a capella recordings, and live performances. The live tracks taken from Houston’s Bodyguard tour are the high point, and showcase the late singer at her glorious best.

    What new records are you spinning this month?

    The post The Best New Vinyl to Spin in January 2018 appeared first on Barnes & Noble Reads.

     
  • Dave K. 4:00 pm on 2017/12/01 Permalink
    Tags: bnstorefront-music, , reputation, , ,   

    Great Gifts for Vinyl Fans 

    As we roll into December and close out 2017 (can you believe it?), Barnes & Noble welcomes a bunch of awesome new records into our Vinyl Store! We’ve got new hotness from Chris Stapleton, Taylor Swift, Green Day, Sam Smith, and Beck, plus the soundtrack to the film Baby Driver. Best of all, we’re offering a great holiday deal on a Crosley turntable system so you (or the budding vinyl aficionado in your life) will have something to play all these records on. Whether you’re buying gifts for yourself or the special people in your life, we have what you need to keep spinning wax into 2018.

    Crosley T150
    Before you go spoiling your friends and family (and yourself) with so many great records, you’ll want to make sure everyone involved can actually listen to them. That’s where the Crosley T150 comes in. Sold exclusively through Barnes & Noble, the T150 is a complete turntable system that comes with 30-watt stereo speakers. If you’ve already got speakers you like (most vinyl junkies do), don’t worry; the Crosley’s RCA inputs are compatible with most audio systems. And should you feel the need to go digital, the Crosley has a Bluetooth receiver built right in. Whether you’re trying to get someone else started on vinyl or upgrading your own system, you can’t go wrong with the Crosley T150.

    reputation, by Taylor Swift
    Fans of Taylor Swift’s 1989 are going to love reputation, since it picks up where that album left off musically. Not only that, it’s an evolution of Swift’s synthpop sound—rather than drawing from 1980s aesthetics a second time, these songs are more brash and modern, and could even be called industrial pop. Just as Swift’s image became more sophisticated, songs like “Call It What You Want,” “Look What You Made Me Do,” and “Delicate” are more ambitious in both lyrical content and composition. Swift also collaborates with Future and Ed Sheeran on “End Game,” and proves to be a much better rapper than anyone, including her fans, would expect. We’ve got it on December 8, a full week before anyone else, so lock in those preorders now.

    From a Room Volume 2, by Chris Stapleton
    The second part of Chris Stapleton’s new record, From a Room Volume 2 comes out a few months after Volume 1. If you have any country music fans on your holiday gift lists this year, this album is perfect. Stapleton’s approach to country music is tuneful and unpretentious, with great vocal harmonies and folk-inspired arrangements that aren’t crowded with pop embellishments. His cover of Kevin Welch’s “Millionaire” is a standout example of Stapleton’s talents (it was one of the lead singles for a reason), as is “Scarecrow in the Garden.” And just in case you’re curious about the album’s name, Stapleton is honoring Nashville’s RCA Studio A, where it was recorded.

    God’s Favorite Band, by Green Day
    This greatest-hits album, named in reference to a joke Stephen Colbert made when the band performed on his show, shows that Green Day is as irreverent as ever. The tracklist draws from all of Green Day’s studio albums as of press time, with the exception of their debut album 39/Smooth and their ¡Dos! and ¡Tré! records from 2012. As one might expect, Dookie and American Idiot provide the most songs, all of which are great selections. While there’s only one song here from Insomniac, it’s the most memorable from that album (“Brain Stew”), and Nimrod is well-represented by “Hitchin’ a Ride” and “Good Riddance (Time of Your Life).” As a bonus, previously unreleased song “Back in the USA” is included here too.

    The Thrill of It All, by Sam Smith
    Sam Smith, who found fame in 2014 with his hit single “Stay With Me,” spent most of 2016 working on new material, and released his second album, The Thrill of It All, in November. Sam worked with classical crossover group Clean Bandit and Timbaland for this record, with the latter producing Smith’s second single, “Pray,” inspired by the singer’s experience with the War Child charity. “Pray” is an awesome song, by the way, with plenty of gospel heft stabilizing Smith’s voice. The album’s other single, “Too Good at Goodbyes,” will make you miss your ex-, even if you don’t have one.

    Baby Driver OST
    Very few films are as soundtrack-dependent as 2017’s Baby Driver; much of the character action is specifically choreographed along with the music. So it’s no surprise that the official Baby Driver soundtrack is so well curated. It’s a mix of guaranteed crowd-pleasers—the Damned’s “Neat Neat Neat,” Queen’s “Brighton Rock,” the Beach Boys’ “Let’s Go Away for a While”—and some deeper cuts, like Dave Brubeck’s “Unsquare Dance.” Not only is this soundtrack a good starting education in the arcs of American pop music (covering soul, jazz, and rock), there’s some hidden wit in the individual song placement. T. Rex’s “Debora” is followed by Beck’s “Debra,” for example.

    Colors, by Beck
    Beck’s music is so timeless that it’s easy to forget how long he’s been around—Colors is his 13th studio album. Thanks to his touring schedule, it took four years to write and record Colors, and he and producer Greg Kurstin play most of the instruments. How Beck sustained that level of energy for so long is anyone’s guess, but this record is the most fun music he’s released in years. The central melody of “Wow” is a potent earworm, and “Dear Life” is as bouncy as the hipster lounge funk that made him famous in the first place. Similarly, “Up All Night” was made for the dance floor, and is a sign that Beck is still having fun with his music.

    The post Great Gifts for Vinyl Fans appeared first on Barnes & Noble Reads.

     
  • Dave K. 7:00 pm on 2017/09/01 Permalink
    Tags: bnstorefront-music, , , ,   

    The Best New Vinyl to Spin This September 

    September is turning into one of our best months for vinyl yet! We’ve got one of the best Jimi Hendrix retrospectives coming in this month, along with new Foo Fighters and Van Morrison albums, plus records from Jack Johnson, the National, Steve Martin, Beyoncé, and Gregg Allman’s final album, plus the soundtrack to box office smash Wonder Woman. Be sure to check them out, and keep your eye on Barnes and Noble’s Vinyl Store for more great records every month.

    All the Light Above It Too, by Jack Johnson
    Jack Johnson’s newest album pairs his mellow, soft rock style with sharp, often political lyrics inspired by surfing, camping, and the documentary Smog of the Sea. The album’s lead single, “My Mind Is For Sale,” was specifically inspired by (and is overtly critical of) Donald Trump’s public statements concerning pollution and global warming, and “Fragments” is about ocean pollution and environmental responsibility. Johnson promotes stewardship of the environment in both his creative and personal lives, but this album never gets preachy, and Johnson never drops his laid-back vocal style. In fact, he sounds downright relaxed on “Sunsets For Somebody Else.”

    Concrete and Gold, by Foo Fighters
    Foo Fighters are officially nine studio albums deep with the release of Concrete and Gold, the band’s first album since their hiatus following Dave Grohl’s 2015 leg injury. Originally planning to take a year off from music to heal his leg, Grohl started writing songs for this album after six months of physical therapy, eventually collaborating with pop producer Greg Kurstin. Because of this, and their decision to record at EastWest Studios, this album has a lot of pop music cameos; Boyz II Men’s Shawn Stockman, Inara George, the Kills’ Alison Mosshart, and Paul McCartney (who drums on one track) all appear on this fantastic return to form by the Foo Fighters.

    Wonder Woman Original Motion Picture Soundtrack
    Wonder Woman wasn’t just a commercial and critical success, it shattered records for films directed by women and renewed fans’ enthusiasm for the DC cinematic universe. Obviously, a film this impressive needs a soundtrack to match, and Wonder Woman has got the goods. Composed by Rupert Gregson-Williams—who also worked on several projects for Adam Sandler’s Happy Madison Productions—the soundtrack keeps to the moody, melodic, and broad gestures of other recent DC films (especially Batman v Superman: Dawn of Justice), but doesn’t rest on those laurels. The proud, majestic “No Man’s Land” and “Hell Hath No Fury” are already fan favorites, as is Sia and Labyrinth’s “To Be Human.”

    Roll with the Punches, by Van Morrison
    Van Morrison’s newest album, which features retired professional wrestler Billy Two Rivers on the cover, is largely a collection of the singer-songwriter’s favorite soul and blues classics. Morrison curated the tracklist down to songs he enjoys performing live, and the effort shows: there’s an undeniable passion in particular in his version of Sam Cooke’s “Bring It On Home to Me” and Bo Diddley’s “I Can Tell” and “Ride on Josephine.” He does a great job with Lightnin’ Hopkins’ “Automobile Blues,” too, showing particular skill with that era of blues. In addition to these standards, the album features five new original compositions.

    Sleep Well Beast, by the National
    This album is the National’s seventh studio effort, and they’re slowly introducing electronic elements to their rootsy, Americana-tinged indie pop sound. If you’re worried those changes might make their music colder and more obtuse, don’t be; there’s still plenty of emotion and clever songwriting on this album. “The System Only Dreams in Total Darkness,” chosen as the album’s lead single, is a tense, piano-driven song with a surprisingly gnarly guitar solo, while “Carin at the Liquor Store” is influenced by Leonard Cohen in the best possible way. The same can be said for “Guilty Party,” which will very likely be the post-breakup anthem of 2017.

    The Long-Awaited Album, by Steve Martin
    Legendary comedian/actor/playwright Steve Martin has many interests, and playing the banjo is one of them. Martin has released a few bluegrass music albums over the years, but he’s never sounded better than on this record, where he’s backed by the Steep Canyon Rangers. As one would expect, Martin is a clever, tongue-in-cheek lyricist—“Caroline” is all the proof you need of that—but he’s a very talented banjo picker as well, and the Rangers provide vocal harmonies and lush instrumentation that complement, rather than crowd, his abilities. The curiously titled “Office Supplies” is another standout track that shows off how well Martin and the Rangers work together.

    Southern Blood, by Gregg Allman
    Sadly, Gregg Allman’s eighth studio album was his last one, as the legendary country rocker passed away from liver cancer in May 2017. The album became a very personal one for Allman, and is a collection of songs written by his friends, who includes Bob Dylan’s “Going Going Gone” and the Grateful Dead’s “Black Muddy River,” as well as blues standards like Willie Dixon’s “I Love the Life I Live” and Jackson Browne’s “Song for Adam,” which features a cameo by Browne himself. Allman’s trademark honey-sweet guitar tone and homespun vocals lend an unexpected optimism to this album. Rather than sing about death, Allman is, in his own way, explaining his life as it reaches the end.

    Lemonade, by Beyoncé
    Lemonade took the pop world, and specifically the internet, by storm when it was released in April 2016. It has the rare distinction of being both a concept album and a visual album, given that it was accompanied by an hour-long film on HBO. Unsurprisingly, it’s up for Album of the Year, based on both the strength of singles like “Freedom,” “All Night,” and the Grammy-nominated “Formation,” and because of its obvious ambition. With Lemonade, Beyoncé showed the world she’s more than just a mega-successful pop culture star who makes radio-friendly R&B music. She’s also making deeper, more genuine art.

    Experience Hendrix: The Best of Jimi Hendrix
    There are a lot of Jimi Hendrix compilations out there, which is to be expected for one of the most influential guitarists of all time. What makes Experience Hendrix unique is that it looks beyond 1968, including unfinished tracks that reveal the R&B/soul-oriented direction Hendrix was going in before his death. But don’t worry, it also has more popular, and still timeless, songs like “Foxy Lady,” “All Along the Watchtower,” “Hey Joe,” and his unkempt rendition of “The Star-Spangled Banner.” Really though, the Cry of Love-era tracks are the standouts here, and not just because they’re more obscure; they prove Hendrix was A talented and creatively limber musician who was just getting started.

    The post The Best New Vinyl to Spin This September appeared first on Barnes & Noble Reads.

     
  • Dave K. 7:03 pm on 2017/05/31 Permalink
    Tags: bnstorefront-music, , , , ,   

    The Best New Vinyl to Spin This June 

    June is a big month here at Barnes & Noble’s Vinyl Store! First of all, this year marks the 20th anniversary of Radiohead’s career-changing album OK Computer, and a special vinyl release has been prepared for the occasion. We’ve also got exclusive records from rock legend Chuck Berry (pressed on limited edition white vinyl) and gospel/pop legend Mavis Staples, plus new records from Sheryl Crow, the Chainsmokers, Halsey, and Lorde. Jump headfirst into summer with these records, and keeping checking back for more additions to the Vinyl Store!

    Melodrama, by Lorde
    Lorde joins a handful of her pop music peers in releasing a concept album, Melodrama, as her sophomore effort. The album tells the story of a house party, and is also an album about being alone and Lorde’s own post-adolescence. Her growth as an artist was expressed in Melodrama‘s lead single, the surprising piano ballad “Liability,” which replaces the drums and glowing synth of her previous album with minimal production to emphasize her shaky, but still powerful, voice. The other lead single, “Green Light,” starts out with just piano, but blossoms into perky, jangly pop that sounds a lot like Florence and the Machine.

    Memories…Do Not Open, by the Chainsmokers
    For all the press the Chainsmokers have been getting, you might be surprised to learn that Memories…Do Not Open is their first proper full-length album. You’ll also be surprised by how much of a departure it is from the EDM-pop they’ve released prior to this. A lot of the songs on Memories are smooth, mid-tempo ballads, with lyrics focused more on selfishness and regret than partying. Fortunately, the Chainsmokers adapt well to this alteration in their sound, and prove to be just as accessible in collaborations with Coldplay (“Something Just Like This”) as with their standard dance material (“Break Up Every Night”).

    Beauty and the Beast Soundtrack
    The soundtrack for the 2017 live action Beauty and the Beast film revitalizes the original 1991 score by Alan Menken and Howard Ashman, adding some new songs and celebrity voices. Kevin Kline’s performance on “How Does a Moment Last Forever (Music Box)” is as charming as you’d expect, as is the combination of Ewan McGregor, Emma Thompson, Gugu Mbatha-Raw, and Ian McKellen on “Be My Guest.” Celine Dion also contributes on “How Does a Moment Last Forever,” paying tribute to what that song did for her career. The best track on this record, though, is Ariana Grande and John Legend’s modern take on “Beauty and the Beast.”

    Be Myself, by Sheryl Crow
    If you were worried Sheryl Crow’s detour into country music was permanent, don’t worry; Be Myself is a return to her 1990s sound, with just enough Nashville soul in the mix to keep things groovy. The production is slick without sounding fake, and Crow’s lyrics are refreshingly honest and mature. The band backing her up is no joke, and may remind you of Bonnie Raitt’s “Love Letter” era in how tight and polished they are. The rhythm of “Halfway There” will have you dancing before you know what hit you, and “Heartbeat Away” builds into a punchy chorus with a fun, and surprisingly sleazy, blues guitar sound.

    I’ll Take You There, by Mavis Staples
    I’ll Take You There was an all-star concert staged to honor the career of singer and civil rights activist Mavis Staples. As one of the original Staple Singers, Mavis was part of the most influential gospel group in American music history, and became a voice of the civil rights movement as well. Her music influenced every performer on this concert recording, including Keb’ Mo’, the recently departed Gregg Allman, Eric Church, Patty Griffin, Emmylou Harris, Taj Mahal, Joan Osborne, Widespread Panic, and Bonnie Raitt. And, of course, there’s Mavis Staples herself, who still manages to outshine them all.

    Hopeless Fountain Kingdom, by Halsey
    Halsey’s brand of catchy electropop is inspired by alternative rock (Brand New, Panic! At the Disco, Nirvana) and hip-hop (Notorious B.I.G., 2Pac, Slick Rick), so you’ll find elements of both in her upcoming album, Hopeless Fountain Kingdom. Much like her previous record, Badlands, this is a concept album, one that tells the story of two lovers in a futuristic limbo. Concept albums are usually an established artist’s excuse to experiment, but Halsey is using this one to prove she can write radio-friendly pop. Judging by the strength of the album’s two singles, “Now or Never” and “Strangers,” she definitely can.

    Chuck, by Chuck Berry
    The late Chuck Berry’s final album, Chuck, could have been written at the height of his popularity in the 1950s, when he practically fell to Earth from outer space with a style all his own. Berry’s approach to songwriting, his riffs, and even his voice hadn’t changed much since that era. This is a good thing, because while most of his peers were putting out albums full of covers, Chuck is full of new songs, like “Big Boys,” “Wonderful Woman,” and “Lady B. Goode,” which references his biggest hit. And while Chuck was never known as a great bandleader, his band on this album—which included his children, Chuck, Jr., and Ingrid Berry—was top notch.

    OK Computer (20th Anniversary), by Radiohead
    Before OK Computer, which came out two decades ago, Radiohead was one of many seemingly interchangeable post-grunge bands with introspective lyrics and sluggish guitars. OK Computer changed all that, setting a new, more experimental and atmospheric path for the band’s career and influencing more artists than their previous record, The Bends, ever could have. Songs like “Paranoid Android” and “Karma Police” were not only longer than traditional rock singles, they had weird, abstract lyrics and layered production that few of the band’s fans (or anyone else) saw coming. As both a pop music artifact and a predictor of 21st-century indie music trends, this album lives up to the hype.

    The post The Best New Vinyl to Spin This June appeared first on Barnes & Noble Reads.

     
  • Dave K. 7:03 pm on 2017/05/31 Permalink
    Tags: bnstorefront-music, , , , ,   

    The Best New Vinyl to Spin This June 

    June is a big month here at Barnes & Noble’s Vinyl Store! First of all, this year marks the 20th anniversary of Radiohead’s career-changing album OK Computer, and a special vinyl release has been prepared for the occasion. We’ve also got exclusive records from rock legend Chuck Berry (pressed on limited edition white vinyl) and gospel/pop legend Mavis Staples, plus new records from Sheryl Crow, the Chainsmokers, Halsey, and Lorde. Jump headfirst into summer with these records, and keeping checking back for more additions to the Vinyl Store!

    Melodrama, by Lorde
    Lorde joins a handful of her pop music peers in releasing a concept album, Melodrama, as her sophomore effort. The album tells the story of a house party, and is also an album about being alone and Lorde’s own post-adolescence. Her growth as an artist was expressed in Melodrama‘s lead single, the surprising piano ballad “Liability,” which replaces the drums and glowing synth of her previous album with minimal production to emphasize her shaky, but still powerful, voice. The other lead single, “Green Light,” starts out with just piano, but blossoms into perky, jangly pop that sounds a lot like Florence and the Machine.

    Memories…Do Not Open, by the Chainsmokers
    For all the press the Chainsmokers have been getting, you might be surprised to learn that Memories…Do Not Open is their first proper full-length album. You’ll also be surprised by how much of a departure it is from the EDM-pop they’ve released prior to this. A lot of the songs on Memories are smooth, mid-tempo ballads, with lyrics focused more on selfishness and regret than partying. Fortunately, the Chainsmokers adapt well to this alteration in their sound, and prove to be just as accessible in collaborations with Coldplay (“Something Just Like This”) as with their standard dance material (“Break Up Every Night”).

    Beauty and the Beast Soundtrack
    The soundtrack for the 2017 live action Beauty and the Beast film revitalizes the original 1991 score by Alan Menken and Howard Ashman, adding some new songs and celebrity voices. Kevin Kline’s performance on “How Does a Moment Last Forever (Music Box)” is as charming as you’d expect, as is the combination of Ewan McGregor, Emma Thompson, Gugu Mbatha-Raw, and Ian McKellen on “Be My Guest.” Celine Dion also contributes on “How Does a Moment Last Forever,” paying tribute to what that song did for her career. The best track on this record, though, is Ariana Grande and John Legend’s modern take on “Beauty and the Beast.”

    Be Myself, by Sheryl Crow
    If you were worried Sheryl Crow’s detour into country music was permanent, don’t worry; Be Myself is a return to her 1990s sound, with just enough Nashville soul in the mix to keep things groovy. The production is slick without sounding fake, and Crow’s lyrics are refreshingly honest and mature. The band backing her up is no joke, and may remind you of Bonnie Raitt’s “Love Letter” era in how tight and polished they are. The rhythm of “Halfway There” will have you dancing before you know what hit you, and “Heartbeat Away” builds into a punchy chorus with a fun, and surprisingly sleazy, blues guitar sound.

    I’ll Take You There, by Mavis Staples
    I’ll Take You There was an all-star concert staged to honor the career of singer and civil rights activist Mavis Staples. As one of the original Staple Singers, Mavis was part of the most influential gospel group in American music history, and became a voice of the civil rights movement as well. Her music influenced every performer on this concert recording, including Keb’ Mo’, the recently departed Gregg Allman, Eric Church, Patty Griffin, Emmylou Harris, Taj Mahal, Joan Osborne, Widespread Panic, and Bonnie Raitt. And, of course, there’s Mavis Staples herself, who still manages to outshine them all.

    Hopeless Fountain Kingdom, by Halsey
    Halsey’s brand of catchy electropop is inspired by alternative rock (Brand New, Panic! At the Disco, Nirvana) and hip-hop (Notorious B.I.G., 2Pac, Slick Rick), so you’ll find elements of both in her upcoming album, Hopeless Fountain Kingdom. Much like her previous record, Badlands, this is a concept album, one that tells the story of two lovers in a futuristic limbo. Concept albums are usually an established artist’s excuse to experiment, but Halsey is using this one to prove she can write radio-friendly pop. Judging by the strength of the album’s two singles, “Now or Never” and “Strangers,” she definitely can.

    Chuck, by Chuck Berry
    The late Chuck Berry’s final album, Chuck, could have been written at the height of his popularity in the 1950s, when he practically fell to Earth from outer space with a style all his own. Berry’s approach to songwriting, his riffs, and even his voice hadn’t changed much since that era. This is a good thing, because while most of his peers were putting out albums full of covers, Chuck is full of new songs, like “Big Boys,” “Wonderful Woman,” and “Lady B. Goode,” which references his biggest hit. And while Chuck was never known as a great bandleader, his band on this album—which included his children, Chuck, Jr., and Ingrid Berry—was top notch.

    OK Computer (20th Anniversary), by Radiohead
    Before OK Computer, which came out two decades ago, Radiohead was one of many seemingly interchangeable post-grunge bands with introspective lyrics and sluggish guitars. OK Computer changed all that, setting a new, more experimental and atmospheric path for the band’s career and influencing more artists than their previous record, The Bends, ever could have. Songs like “Paranoid Android” and “Karma Police” were not only longer than traditional rock singles, they had weird, abstract lyrics and layered production that few of the band’s fans (or anyone else) saw coming. As both a pop music artifact and a predictor of 21st-century indie music trends, this album lives up to the hype.

    The post The Best New Vinyl to Spin This June appeared first on Barnes & Noble Reads.

     
c
compose new post
j
next post/next comment
k
previous post/previous comment
r
reply
e
edit
o
show/hide comments
t
go to top
l
go to login
h
show/hide help
esc
cancel